SONGWRITING TIPS AND ADVICE ON THE ESSENTIAL INGREDIENTS FOUND IN ALL HIT SONGS

Tag Archives: songwriting mistakes

john-legend

“I think we have to be honest in our songs. I always quote Nina Simone that ‘it’s an artist’s duty to reflect the times that you’re living in.’ It doesn’t mean that every song has to be political, but it does mean you should be honest with how you’re feeling and what’s important to you …”

– John Legend (New York Times – TimesTalks)

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.
A 5-star rated book at Amazon,
How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, a UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).

FRONT COVER - JPG - 10-8-16 - FINAL“How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” is available from Amazon and Barnes & Noble as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).

 


tom-odell-2

British singer-songwriter Tom Odell believes it’s important to imagine every little detail in the scene you’re describing in a verse if you want to create word pictures that express the physical experience of the emotions you’re trying to convey.

“I almost have to live it in my head in order to write a song,” Odell recently told Dale Kawashima of SongwriterUniverse magazine.

One of the most frequent mistakes in lyric writing is trying to evoke an emotional response in listeners simply by telling them what you’re feeling or thinking. This is actually one of the least effective ways to make a lasting connection with the people who hear your song.

In the verse lyrics especially, you need to show listeners what the song is about. In other words, invite the audience into the world of your song by allowing them to ‘watch’ the story unfold like a movie.

By describing each scene as if you’re looking through the lens of a video camera, you’ll be able to help people ‘see’ and experience what the performer of your song is feeling.

You can also help listeners to enter your song by including descriptions of familiar, tangible objects in your lyrics—such as an empty chair, a wine glass, a framed photograph, and other concrete nouns which refer to physical entities that can be observed by at least one of the senses. These images are more likely to engage listeners than a dull statement of fact.

For example, Tom Odell’s beautiful song ‘Constellations’—from his 2016 album Wrong Crowd—opens with him talking to a girl in a busy bar and his lyrics vividly describe the scene.

“In order to write that,” Odell told SongwriterUniverse, “I had to imagine every detail in that bar—the chatting in the bar, the gentle hum of the bar, the headlights passing outside, the chair that squeaks, the look on [the girl’s] face. But obviously you can’t get all of that detail in the song. You can only pick a few of those details to sing. But in order to get those details I had to almost write so many verses to get to that point.

“I had to imagine it all in my head—the picture on the wall, the girl’s voice, the jacket on the back of the chair—all those details.”

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.
A 5-star rated book at Amazon,
How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, a UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).

FRONT COVER - JPG - 10-8-16 - FINAL“How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” is available from Amazon and Barnes & Noble as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).


billy-bragg_shot_by_kris_krug

Photo: Kris Krug

“It’s a good time to be a political songwriter … Let’s have another generation of young songwriters come along and tell us all about it, about the pressure they feel under.”
—Billy Bragg (in an interview with Music Week)

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.
A 5-star rated book at Amazon,
How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, a UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).

FRONT COVER - JPG - 10-8-16 - FINAL“How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” is available from Amazon and Barnes & Noble as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).


Bob Dylan

“Rhyming doesn’t have to be exact anymore,” Bob Dylan told Paul Zollo of American Songwriter magazine in a 2012 interview. “It gives you a thrill to rhyme something and you think, ‘Well, that’s never been rhymed before’. Nobody’s going to care if you rhyme ‘represent’ with ‘ferment’, you know. Nobody’s gonna care.”

Dylan—who was recently awarded the Nobel Prize in Literature—once admitted to Rolling Stone magazine that he stunned himself when he wrote the first two lines of ‘Like a Rolling Stone’ and rhymed “kiddin’ you” with “didn’t you”. “It just about knocked me out,” he said.

Historically, many classic pop songs from the rock era have tended to feature ‘perfect’ rhymes where a one-syllable word is rhymed with another one-syllable word (such as ‘kiss’ and ‘miss’), or where two words have the same spelling in the last syllable (such as ‘love and ‘above’).

These days, it’s best to steer clear of perfect rhymes, if you can, because rhymes that are too exact can often limit the expression of true emotion.

You can create a much greater impact by rhyming words that don’t have the same combination of letters but sound similar (such as ‘clown’ and ‘around’, or ‘made’ and ‘late’). This is because sound-alike words tend to engage listeners more than words with the same spelling, as in the case of Dylan’s “kiddin’ you” and “didn’t you”.

Using ‘false’ rhymes that create word pictures – or which convey what you want to say more accurately – can often be much more effective than pure rhymes.

It’s not enough to simply go through the alphabet looking for words that rhyme, irrespective of whether or not the chosen word helps to underpin the meaning of your song and drive the story forward. This approach usually results in clichéd rhymes that we’ve all heard many times before.

You can surprise the listener by having the rhyme fall on the second or third syllable of a multi-syllable word instead of at the end (for example, put the rhyme on the syllable that is stressed most strongly in normal speech, such as ‘unachievable’ and ‘believable’).

You can also rhyme a multi-syllable word with a word that only has one syllable (such as ‘sublime’ and ‘time’). This device can make a lyric much more interesting.

So don’t weaken a potentially good song by going for the easiest and most obvious rhyme. These days, lyricists have to be much more adventurous. Challenge yourself and make your rhymes less predictable.

As the great Stephen Sondheim once remarked: “The ears expect certain rhymes, so you want to fool them because one of the things you want to do in a song is surprise an audience”

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.
A 5-star rated book at Amazon,
How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, a UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).

FRONT COVER - JPG - 10-8-16 - FINAL“How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” is available from Amazon and Barnes & Noble as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).SURPRISING RHYMING – AN ALTERNATIVE RHYMING DICTIONARY FOR SONGWRITERS AND POETS“SURPRISING RHYMING” – The Alternative Rhyming Dictionary for Songwriters and Poets – is available from Amazon as a US paperback, a UK paperback, and also across Europe. Read more about the book HERE (USA) and HERE (UK).


sting-london16_bmi_rasic-004_1024_682_90_s-photo-by-brian-rosic

Photo by Brian Rasic

“Your real job as a songwriter is to provide a soundtrack to people’s emotional lives, touchstones for their emotional landscapes, their memories. And that’s an unexpected and unanticipated honour as well as a privilege.”

—Sting on receiving the BMI Icon Award on 10 October 2016 at the 2016 BMI Awards in London.

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.
A 5-star rated book at Amazon,
How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, a UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).

FRONT COVER - JPG - 10-8-16 - FINAL“How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” is available from Amazon and Barnes & Noble as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).

 

 


max-martin

Hit songwriter Max Martin has renewed his agreement with ASCAP, the American Society of Composers, Authors and Publishers, for representation of public performances of his songwriting catalogue.

This follows the announcement last week that Paul McCartney has also renewed his agreement with ASCAP. The organization has represented McCartney’s performing rights in the United States for multiple decades.

With 22 Billboard Hot 100 Number One hits, Max Martin is one of the most successful songwriters of all time. He has won an unprecedented nine ASCAP Songwriter of the Year Awards. Since his first US top 10 single in 1997, Robyn’s “Do You Know (What It Takes),” listeners can’t get enough of Martin’s addictive pop songs, including #1 hits like Katy Perry’s “I Kissed a Girl” (2008), Pink’s “So What” (2008), Britney Spears’s “Hold It Against Me” (2011), Maroon 5’s “One More Night” (2012), Taylor Swift’s “We Are Never Ever Getting Back Together” (2012), “Shake It Off” (2014), “Blank Space” (2014) and “Bad Blood” (2015) and this year, Justin Timberlake’s “Can’t Stop the Feeling!”

“I love being part of the ASCAP family of songwriters and composers,” said Max Martin. “As songwriters, we are lucky to have ASCAP on our side, offering support and fighting for our rights.”

“Max Martin is a generous spirit whose irresistible music keeps winning listeners’ hearts,” said Elizabeth Matthews, CEO of ASCAP, a world leader in performing rights and advocacy for music creators. “We love his music and we admire his broader sense of mission and advocacy for songwriters everywhere.”

“Max is a rare talent with an aim that never misses,” said ASCAP EVP Membership John Titta. “He’s one of the few who can tap into the zeitgeist to create hit after hit after hit. We’re privileged to be part of his incredible success.”

ASCAP is a professional membership organization of songwriters, composers and music publishers of every kind of music. According to ASCAP, its mission is to license and promote the music of its members and foreign affiliates, obtain fair compensation for the public performance of their works, and to distribute the royalties that it collects based upon those performances.

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.
A 5-star rated book at Amazon,
How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, a UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).

FRONT COVER - JPG - 10-8-16 - FINAL“How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” is available from Amazon and Barnes & Noble as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).


Blurred Lines

Some 212 leading songwriters, artists and producers have come out in support of Robin Thicke and Pharrell Williams in their bid to overturn the verdict in the infamous ‘Blurred Lines’ plagiarism case.

In the original case, the jury found that ‘Blurred Lines’ (written in 2012) had copied Marvin Gaye’s 1977 song ‘Got to Give It Up’. Thicke and Williams were then ordered to pay $5.3 million to the Marvin Gaye Estate.

The diverse group of stars who are backing the appeal by Thicke and Williams includes members of Train, Linkin Park, Earth Wind & Fire, The Black Crowes, Fall Out Boy, Tool and Tears for Fears, as well as Rivers Cuomo of Weezer, John Oates of Hall & Oates, R. Kelly, Hans Zimmer, Jennifer Hudson, Jean Baptiste, Evan Bogart and Brian Burton (Danger Mouse).

They all argue that the ‘Blurred Lines’ copyright ruling has set a dangerous precedent by confusing inspiration with infringement.

According to the Hollywood Reporter, the 212 stars’ document submitted to the Court of Appeals in support of Williams, Thicke and rapper T.I (aka Clifford Harris Jr.), states:

“The verdict in this case threatens to punish songwriters for creating new music that is inspired by prior works. All music shares inspiration from prior musical works, especially within a particular musical genre. By eliminating any meaningful standard for drawing the line between permissible inspiration and unlawful copying, the judgment is certain to stifle creativity and impede the creative process. The law should provide clearer rules so that songwriters can know when the line is crossed, or at least where the line is.

“Such a result, if allowed to stand, is very dangerous to the music community, is certain to stifle future creativity, and ultimately does a disservice to past songwriters as well. One can only imagine what our music would have sounded like if David Bowie would have been afraid to draw from Shirley Bassey, or if the Beatles would have been afraid to draw from Chuck Berry, or if Elton John would have been afraid to draw from the Beatles, or if Elvis Presley would have been afraid to draw from his many influences.”

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.
A 5-star rated book at Amazon,
How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, a UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).

FRONT COVER - JPG - 10-8-16 - FINAL“How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” is available from Amazon and Barnes & Noble as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).

 


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A new book titled “How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” aims to help aspiring songwriters steer clear of the many traps they can easily fall into when writing lyrics for their songs.

Written by experienced music publisher and music consultant Brian Oliver, the book takes a close look at the essential lyrical elements that are consistently found in the structure of all hit songs.

It highlights the most common errors that are made when these key components are built into a song, and shows writers who are just starting out how to avoid such mistakes in their own lyrics.

This new book is the follow-up to Brian Oliver’s five-star rated title: “How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success”.

Written in an easy, non-technical style, “How [Not] To Write Great Lyrics!” identifies many frequent causes of lyrical shortcomings—from common mistakes in the basic construction of song lyrics … to making flawed choices with titles, opening lines, lyrical hooks, verb selection, rhyming patterns, and more.

The book also highlights other causes of lyric writing problems—such as having the wrong mental attitude, not paying enough attention to ‘creative preparation’, and not taking steps to avoid writer’s block.

“How [Not] To Write Great Lyrics!” includes important tips on fixing and strengthening lyrics, along with a comprehensive checklist of more than 100 potential hazards that writers can measure their own lyrics against—no matter how ‘finished’ they think their songs are.

Most songwriters have, at some stage, had to endure the disappointment of having their songs rejected and ended up asking: “Could I have done more to make my songs better?”. This book aims to help writers recognise weaknesses in their lyrics, so that they can re-work them, make them stronger, and hopefully achieve the breakthrough they’re striving for.

The book’s author Brian Oliver—who has worked with legendary songwriters such as Neil Diamond, Janis Ian, Albert Hammond and Gilbert O’Sullivan—warns that aspiring writers’ chances of success could be hampered if they fail to spend enough time polishing and editing their lyrics and eradicating weaknesses.

Says Oliver: “When a new lyric idea suddenly hits you – and everything comes together so quickly that the song almost writes itself – it’s very easy to fall into the trap of rushing straight into a studio and recording a demo. You then confidently submit the song to a music company believing it’s the best thing you’ve ever written – only to suffer the agony of having the song rejected.

“Sometimes it’s better just to slow down, take a step back, and re-examine each element of your new lyrics,” he says. “If you don’t spend a little more time polishing your lyrics, there is a danger that they may still contain weaknesses that you failed to spot first time around.”

“How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” is now available from Amazon, Barnes & Noble and other good book stores as a paperback, or as an eBook from Amazon’s Kindle Store, Apple’s iTunes Book Store, Barnes & Noble’s Nook store, and Kobo Books.

Read a FREE sample of the book HERE (USA) and HERE (UK).

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Dolly_Parton_in_Nashville_2 (1)

“If I had to give up everything else, if people said you can only do one thing, I’d just write. I’d say, ‘Well then, I’ll just be a songwriter.’ Because that’s how I express myself. That’s my time with God.

“My guitar is like my best friend, and my songs are like my therapy … Some days I’ll write four or five songs. Some days I’ll just write one. They’re almost always spinning in my head.

“It’s so fulfilling to think that I could actually leave something in the world today that wasn’t there yesterday.”

—Dolly Parton (in an interview with Alison Bonaguro of CMT.com)

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.
A 5-star rated book at Amazon,
How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, a UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).

FRONT COVER - JPG - 10-8-16 - FINAL“How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” is available from Amazon and Barnes & Noble as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).

 


SMOKEY ROBINSON

Photo: Dwight McCann

Smokey Robinson, the “poet laureate of soul”, is set to be the next recipient of the prestigious U.S. Library of Congress Gershwin Prize for Popular Song.

Acting Librarian of Congress David Mao has announced that Smokey Robinson will receive the prize in Washington, D.C., in November.

The Gershwin Prize honors a living musical artist’s lifetime achievement in promoting the genre of song as a vehicle of cultural understanding; entertaining and informing audiences; and inspiring new generations.

The seven previous recipients are: Paul Simon, Stevie Wonder, Sir Paul McCartney, songwriting duo Burt Bacharach and the late Hal David, Carole King, Billy Joel and Willie Nelson.

“As a singer, songwriter, producer and record executive, Smokey Robinson is a musical legend,” said Acting Librarian of Congress David Mao. “His rich melodies are works of art—enduring, meaningful and powerful. And he is a master at crafting lyrics that speak to the heart and soul, expressing ordinary themes in an extraordinary way. It is that quality in his music that makes him one of the greatest poetic songwriters of our time.

“His velvet falsetto and incomparable mastery of lyrical verse have created a tapestry of hits that have transcended generations and become a mainstay in American pop music.”

Smokey Robinson commented: “It gives me such joy and gratitude to be included among the past recipients of this most prestigious songwriting award.”

TRACKS OF MY TEARSThe 76-year-old Grammy Award winner has released dozens of Top 40 hits and added more than 4,000 songs to his legacy songbook. His music reads like a playlist of Motown’s greatest hits—”Mickey’s Monkey” (1963), “Going to a Go-Go” (1966), “You’ve Really Got a Hold on Me” (1963), “Ooo Baby Baby” (1965), “The Tracks of My Tears” (1965), “More Love” (1967), “I Second That Emotion” (1967), “Baby, Baby Don’t Cry” (1969), “The Tears of a Clown” (co-written with Stevie Wonder, 1970), “Cruisin’” (1979), “Being With You” (1981), “Just to See Her” and “One Heartbeat” (1987).

“The Tracks of My Tears” was named to the National Recording Registry of the Library of Congress in 2007 as one of the nation’s culturally, historically or aesthetically significant sound recordings.

Robinson was the creative force behind many Motown classics. Hit songs that he wrote for other Motown artists include: “My Girl,” “The Way You Do the Things You Do,” “Get Ready,” “Since I Lost My Baby,” “Ain’t That Peculiar,” “My Guy,” “You Beat Me to the Punch” and “Don’t Mess with Bill”. He has crafted lyrics for Marvin Gaye, Mary Wells, Brenda Holloway, The Marvelettes, The Temptations and many others. His music also influenced The Beatles who recorded his song “You’ve Really Got A Hold On Me” in 1963.

The Library of Congress’s Gershwin Prize for Popular Song is only awarded to living musical artists whose contributions in the field of popular song exemplify the standard of excellence associated with George and Ira Gershwin.

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.
A 5-star rated book at Amazon,
How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, a UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).