“Songwriting is still the same uncomplicated process it was when I was 12 years old writing songs in my room,” said Taylor Swift in a recent interview with Harper’s BAZAAR magazine.
She said: “There are definitely moments when it’s like this cloud of an idea comes and just lands in front of your face, and you reach up and grab it.
“A lot of songwriting is things you learn, like structure, cultivating that skill and knowing how to craft a song. But there are mystical, magical moments—inexplicable moments—when an idea that is fully formed just pops into your head.”
Instead of allowing ideas to bubble to the surface naturally from their subconscious, many new writers tend to try too hard and end up forcing the creative process. They try to cram too much into a song—making it way too long and unnecessarily complicated, and leaving the listener feeling confused.
As Taylor Swift suggests, it is important to avoid over-thinking or over-writing your songs. Sometimes, the chords, melodies and lyrics that come to you instinctively are the right ones. So don’t spend forever searching for the perfect melody or lyrics. Don’t keep on going until you end up with way too many notes and words.
Just make sure your song form is clear, predictable and easy to follow. Keeping it simple will make it easier for people to remember the song.
In other words, know when to quit.
As Sting once remarked: “Songs have to be simple. It’s not like you have a huge canvas to paint on or a novel length to fill. You’ve got to tell the story in two verses, a chorus and a coda and that takes some skill.”
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“How [Not] to Write Songs in the Streaming Age – 40 Mistakes to Avoid If You Want to Get More Streams” is available from Amazon as a US paperback, a UK paperback, a Canada paperback, an Australia paperback, and across Europe.
It is also available as an eBook from Amazon’s Kindle store in the United States, the UK, Canada, Australia, and across Europe—as well as Apple Books, Barnes & Noble and Rakuten’s KoboBooks.
Read a FREE SAMPLE of the book HERE (USA)…HERE (UK)… HERE (CANADA)… and HERE (AUSTRALIA).
“SURPRISING RHYMING” – The Alternative Rhyming Dictionary for Songwriters and Poets – is available from Amazon as a US paperback, a UK paperback, and also across Europe. It is also available as a Kindle ebook in the United States and in the UK and Europe. Read more about the book HERE (USA) … HERE (UK) … HERE (CANADA).
![“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.](https://thehitformula.files.wordpress.com/2013/05/how-not-to-write-a-hit-song-smashwords-cover-blog-widgit-188x282.jpg)
A 5-star rated book at Amazon, “How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, a UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.
Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).
“How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” is available from Amazon and Barnes & Noble as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.
Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).
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![“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.](https://thehitformula.files.wordpress.com/2013/05/how-not-to-write-a-hit-song-smashwords-cover-blog-widgit-188x282.jpg)
A 5-star rated book at Amazon, “How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, a UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.
Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).
“How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” is available from Amazon and Barnes & Noble as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.
Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).

Photo by Brian Rasic
“Your real job as a songwriter is to provide a soundtrack to people’s emotional lives, touchstones for their emotional landscapes, their memories. And that’s an unexpected and unanticipated honour as well as a privilege.”
—Sting on receiving the BMI Icon Award on 10 October 2016 at the 2016 BMI Awards in London.
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![“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.](https://thehitformula.files.wordpress.com/2013/05/how-not-to-write-a-hit-song-smashwords-cover-blog-widgit-188x282.jpg)
A 5-star rated book at Amazon, “How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, a UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.
Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).
“How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” is available from Amazon and Barnes & Noble as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.
Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).
When your mother is a famous poet in your home country of New Zealand, it’s not surprising that 17-year-old Lorde (real name Ella Yelich-O’Connor) started out writing stories at a very early age. And she firmly believes it’s her background in writing short fiction that has made her the successful singer-songwriter that she is today.
“I’ve never written poetry, but I’ve written short fiction for a long time, and that’s the thing that I read pretty much exclusively,” Grammy award winner Lorde recently explained to Vogue magazine.
“Short fiction appeals to me because of the necessity of conciseness—having to make something big and get it into a small space,” she said. “That’s what writing songs is about, but times 20. I like people who can build something great and huge with a very limited amount of time or space. It’s difficult to do.”
As Neil Diamond once observed: “Songs are life in 80 words or less.”
Lorde—whose debut album Pure Heroine gained her four Grammy nominations—started writing her own songs as a 13-year-old when she was first signed to Universal Music. She realized at an early age that there are things you can do in a song that you can’t do in a short story.
“With songs, you listen to the lyrics and you know that not all the words and not all the details and not all the exposition have been included—you kind of expect to take leaps of faith, ” she told Rookie magazine. “One sentence can illustrate an entire experience or concept in a song, which I think is really cool.
“Whereas three or four years ago I would write a passage and then I would kind of have to fight to wrench it into the form of a song. Now when I have an idea [for a short story] and I write it,” she said, “it comes out naturally in the form of a song.”
In most hit songs, each verse tends to move the song’s storyline forward like a new chapter in a book, introducing fresh information and images that captivate the listener. The lyrics in each verse should be mostly descriptive (describing people, places and events).
The chorus, meanwhile, is meant to really drive home the whole point of the song—for example, by frequently repeating the title line like a catchphrase. The chorus lyrics should be mainly emotional (delivering a strong emotional reaction to what has just been described in the verse).
As Sting once remarked: “You’ve got to tell the story in two verses, a chorus and a coda and that takes some skill.”
Lorde’s chart-topping debut single ‘Royals’ won her two Grammy Awards for ‘Song of the Year’ and ‘Best Pop Solo Performance’:
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