While it’s true that the melody and the title are regarded as the most important parts of a song, don’t make the mistake of believing that the quality of the lyrics doesn’t really matter if your song has a strong melody, a catchy hook and great beats.
“If you’ve got a killer tune and a killer set of chord changes and you’ve got no lyrics, you’re screwed,” award-winning songwriter and producer Francis “Eg” White once told the Daily Telegraph. He has worked on hits for artists such as Adele, Joss Stone, James Blunt, Duffy, James Morrison and Will Young.
So don’t settle for lyrics that you know are second-best. A song with a dynamic melody and trite lyrics is still unlikely to be successful.
Of course, songs with weak lyrics occasionally do well in the charts, but their success is usually down to an outstanding production or because the artist concerned is already a big star with a loyal fan base. If you’re an aspiring new writer submitting a demo to a music publisher, A&R rep or a record producer, you’ll need more than just an excellent melody to stimulate their interest.
You have to be able to offer them a complete work that combines a highly commercial melody with well-chosen words and descriptive phrases that make sense and actually say something.
“Lyrics are kind of the whole thing,” says US singer-songwriter Alison Krauss. “It’s the message. Something might have a beautiful melody but if it’s not the truth coming out of your mouth, it’s not appealing.”
Music industry professionals expect to hear inventive lyrics that avoid clichés and convey an interesting story or message in an easily understandable way.
They want great words that support a memorable title, a strong melody and a catchy hook … all of which should come together to evoke an emotional response within the listener.
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a paperback, or as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK) or HERE (Australia).
The Songwriting Charity has announced that English musician, songwriter and record producer Rupert Hine is to become a patron of the London-based music charity.
Launched in 2011, The Songwriting Charity addresses the emotional health and well-being of children and young people of all abilities through the art and craft of songwriting and music technology. It helps children to generate creative energy around issues that impact on their lives, through songwriting and performance.
Rupert Hine follows British songwriter Guy Fletcher, who joined as a Patron last summer.
During his 35-year career, Hine has worked with a wide a range of gold and platinum-selling artists – including Tina Turner, Chris de Burgh, Rush, Bob Geldof, Stevie Nicks, Kevin Ayers, Thomson Twins, The Waterboys, Kate Bush, and Suzanne Vega.
As a songwriter, his songs have been recorded by million-selling artists such as Tina Turner, Stevie Nicks, Dusty Springfield and Wilson-Phillips.
Hine said: “The Songwriting Charity powerfully illustrates how children working together creatively as a team can rise above their individual practical difficulties and limitations and create something fun or even beautiful in a field that is very close to my heart. I fully endorse their vision and look forward to helping to expand their reach in any way I can.”
Nathan Timothy, CEO of The Songwriting Charity, said: “This is another landmark in our charity’s young life. Rupert shares my passion for developing artistry and for using songs and songwriting to positively change the lives of people all over the world. I’m so proud that Rupert Hine has agreed to become a Patron. And I’m delighted to welcome him as part of the team as we celebrate the charity’s second birthday!”
The Songwriting Charity has so far worked in 450 schools around the UK and has linked with projects in Italy and Canada. The charity’s work has positively impacted on the well-being, self–esteem and confidence of more than 12,500 children and young people.
Its unique one-day workshops present children with opportunities to sing, write lyrics, perform and record their ideas both individually and as a team.
So far, some 460 songs have been written by young people for young people – covering concerns such as bullying, world peace and friendships. The songs are hosted on the charity’s Soundcloud page and have been streamed more than 91,000 times.
Find out more about The Songwriting Charity, or make a donation, HERE…
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is now available from Amazon’s Kindle Store for only US$7.22 or GB£4.78.
Read a FREE sample of the book HERE (USA) and HERE (UK).
Also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), and Barnes & Noble’s Nook store.
Alicia Keys recently revealed that she managed to maintain her unique voice and songwriting style despite being pushed “in different directions” early in her career.
She thinks writers have to really believe in what they want to do—and then keep working at it until other people start to believe in it too.
The 32-year-old singer-songwriter is classically trained and is a highly accomplished musician. She began playing the piano at the age of seven and studied classical composers such as Mozart and Beethoven at performing arts schools in New York.
However, it seems her rich musical knowledge and diversity proved to be quite a challenge for her managers in the early stages of her career. They found it hard to package her as a typical pop songstress.
“People definitely tried to push me in different directions for sure,” she recently told VH1’s Storytellers. “I was very familiar with the street, had a lot of street knowledge, very clear, very rough around the edges. But at the same time I had studied classical music.”
She added: “I loved everything from Biggie Smalls and Jay-Z to Nina Simone, Patrice Rushen and Donny Hathaway to Erik Satie and Chopin, and everything in the middle. There was no kind of direct path or prototype for anyone to follow. So I think all they knew to do was to kind of push me as close to maybe something they saw that worked before.”
A lack of focus is one of the biggest weaknesses of many new songwriters. This is usually because the writers have no idea where they are heading when they start out. As a result, their career simply meanders from one direction to another with no clear distinction between them—and often with no real progress.
Fortunately, Alicia Keys was strong enough to maintain her focus and remain true to herself. “It was my goal to make people love me,” she said.
When starting any new job, you are more likely to be successful if you are given a proper description of what you’re supposed to be doing … and what you’re expected to achieve.
Songwriting is no different, except it is down to you to define your job description in terms of genre, style and career path, and then set yourself clear goals—and stick to them.
Watch this Songs in A Minor documentary about Alicia’s early career …
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a paperback, or as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK) or HERE (Australia).
Hal David, one of the greatest lyricists of all time, always believed it was essential for writers to stay as objective as possible about their lyrics. He stressed the importance of being able to step outside of yourself and hear the song from the listener’s point of view.
“One thing a lyricist must learn is not to fall in love with his own lines,” David once remarked. “Once you learn that, you can walk away from the lyric and look at it with a reasonable degree of objectivity.”
A common mistake among many new lyricists is their failure to take a step back and recognize when they are using over-elaborate imagery and ‘poetic’ lyrics that just don’t work with the song. Far from being impressed with how clever and creative the lyricist is, music publishers and A&R executives are more likely to see unnecessarily flowery language as a sign of inexperience.
Trying too hard to be ‘different’ and artistic can often result in lyrics that simply sound pretentious and self-indulgent. If your lyrics don’t come across as genuine, listeners may find it hard to connect with your song.
And some lyricists may not realize that they are in danger of boring listeners by simply pouring out fact after fact as they tell the song’s story. You have to paint a picture in the listener’s imagination so that you can reach him or her on an emotional level and stimulate a response.
To make it easier for listeners to remember your lyrics, it’s important to keep them simple and conversational. Hal David was a master at conveying what he wanted to say in the most concise way possible, despite the complexity of some of Burt Bacharach’s melodies.
In the 1960s and early 1970s, Bacharach and David wrote some of the most enduring pop songs of all time. Their classic hits included ‘Raindrops Keep Fallin’ on My Head’, ‘This Guy’s in Love with You’, ‘I’ll Never Fall in Love Again’, ‘Do You Know the Way to San Jose’, ‘Walk On By’, ‘What the World Needs Now Is Love’, ‘I Say a Little Prayer’, ‘The Look of Love’, and ‘Anyone Who Had a Heart’, amongst many others.
“In writing, I search for believability, simplicity and emotional impact,” Hal David once explained. “Simplicity is often the hardest thing to achieve.”
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a paperback, or as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK) or HERE (Australia).
British singer-songwriter Ed Sheeran has teamed up with Martin Guitar to produce a Signature Edition six string guitar. It is based on Martin’s classic 23 inch ‘Little Martin’ LX1E model which is said to have been Sheeran’s guitar of choice since his early teens.
Over the past two years, Sheeran and his own well-used LX1E have graced prestigious stages worldwide – from the London Summer Olympics opening ceremony in 2012, to the 2013 Grammy Awards where he teamed up with Sir Elton John.
The new Signature model carries the orange plus sign from the cover of Sheeran’s 2011 debut album (which was titled ‘+‘), along with the words “Est. 1991” which is the year in which Sheeran was born. He will be playing the new guitar during the rest of his current tour with Taylor Swift.
Proceeds will go towards a Children’s Hospice charity in England.
“It was a huge privilege to have the opportunity to collaborate with Martin Guitar,” said Ed Sheeran. “I have been a fan of Martin since I started playing guitar and songwriting, and I am honored to have a Signature Edition that bears my own personal imprint.”
He added: “All of the royalties from every purchase from my Signature Edition will go to the East Anglia Children’s Hospices. I can’t wait to get on stage and perform with it for my fans.”
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is now available from Amazon’s Kindle Store for only US$7.22 or GB£4.78.
Read a FREE sample of the book HERE (USA) and HERE (UK).
Also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music).
Co-writing and building relationships with more experienced writers is one of the best ways to grow as a songwriter, says British singer-songwriter Jake Bugg.
He topped the UK album chart in 2012 with his platinum-selling debut album, Jake Bugg, which was largely co-written with established songwriters Iain Archer, Matt Prime and Crispin Hunt.
Bugg has recently been working on tracks for his second studio album with legendary producer Rick Rubin. The new album will again involve collaborations with seasoned songwriters, including some of the top writers in Nashville.
Bugg, 19, recently told the UK’s Daily Star newspaper: “I’m still very young, and I believe I should soak up what I can learn from people with more experience. I’m taking it all on board, so I can step into writing on my own eventually.”
There is no doubt that collaborations can help you to learn how to write better songs much faster. Working with a co-writer with talents that complement your own can help to take you and your songs to a much higher level. As Brian Eno once put it: “Every collaboration helps you grow”.
An experienced songwriting partner can also help to keep you focused. He or she may question your lyrics when you’re under-achieving, and introduce fresh ideas and new chords that may take your songs to new places.
And if you’ve got a great idea for a song but you just can’t seem to finish it, an accomplished co-writer may be able to listen objectively to what you’ve got and come up with the missing link. He or she may introduce lyrical or melodic ideas that would never have occurred to you while you’re still honing your own skills.
As Robbie Shakespeare of long-time reggae duo Sly and Robbie recently remarked: “If you have two sets of ears, you can hear more.”
Jake Bugg’s latest single – produced by Rick Rubin – is a re-recording of the haunting song ‘Broken’ from his debut album. Bugg co-wrote the track with Crispin Hunt.
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a paperback, or as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK) or HERE (Australia).
Listening to the same things over and over again can kill your creative process, warns Taylor Swift.
“I think you need to change up your influences,” she recently told USA Today. “I think you need to be inspired by different things than you were inspired by before.”
Swift, who is about to start working on new songs for her next album, revealed that she often scraps new ideas if they sound too familiar to her. “I may like it, but if it’s going to sound like the last record it is going to get thrown away,” she said.
She also confessed that her songwriting is often spurred by anxiety. “When the anxiety starts, the writing happens right after, usually,” she said.
Many leading songwriters agree that is important to seek inspiration by listening to plenty of new things – even genres that you haven’t considered before. It can help you to start thinking differently about your own songs.
For example, Taylor’s good friend Ed Sheeran recently revealed that his follow-up to his 2011 debut album is likely to include a broad mix of influences. In an interview with MTV News, he even hinted that it could feature some hip-hop and rap-metal songs. He recently recorded a track with rapper and hip-hop star The Game.
“I’m actually writing very specific songs to genres at the moment,” he said. “I’ve got a whole album of one genre and enough to make another of another genre.”
US singer-songwriter Ben Harper also feels it is important to listen to other kinds of music. “That’s how new ideas come,” he said, “and how musical inspiration is passed on—through other music and other brilliant artists. Listen to whatever pulls you in different musical directions so that you don’t start copying yourself.”
Critically-acclaimed British songwriter and guitarist Richard Thompson once told Innerviews magazine: “Someone very wise said ‘Copy everyone except yourself’. Looking at other people’s ideas and twisting them to fit your own style is a good thing.”
He added: “It’s important to keep searching and not go for the obvious idea.”
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a paperback, or as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK) or HERE (Australia).
Emeli Sandé won two awards at the 58th Ivor Novello Awards in London today. Her song ‘Next to Me’ (co-written with Hugo Chegwin, Harry Craze and Anup Paul) was voted the ‘Best Song Musically and Lyrically’. The same song also won the PRS for Music award for ‘Most Performed Work’.
Calvin Harris was voted Songwriter of the Year, while Randy Newman, Noel Gallagher, Alt-J and The Maccabees also won big at the prestigious event which is staged annually by the British Academy of Songwriters, Composers and Authors (BASCA), in association with the UK collection society PRS For Music.
The ‘Ivor’ awards are judged by the British writing community and are designed to celebrate, honour and reward excellence in songwriting and composing. They are regarded as the most important awards for UK music writers.
Full list of winners at the 58th Ivor Novello Awards:
Best Contemporary Song – ‘Pelican’ (written by Sam Doyle, Rupert Jarvis, Orlando Weeks, Felix White and Hugo White).
PRS for Music Most Performed Work – ‘Next to Me’ (written by Hugo Chegwin, Harry Craze, Anup Paul and Emeli Sandé).
Best Television Soundtrack – Lucian Freud: Painted Life (composed by John Harle).
The Ivors Inspiration Award – Marc Almond
Album Award
Alt-J’s An Awesome Wave (written by Thomas Green, Joe Newman, Gwilym Sainsbury and Augustus Unger-Hamilton).
The Ivors Classical Music Award – Errollyn Wallen MBE
PRS for Music Award for Outstanding Achievement – Justin Hayward
Best Original Film Score – Anna Karenina (composed by Dario Marianelli)
Best Song Musically and Lyrically
‘Next to Me’ (written by Hugo Chegwin, Harry Craze, Anup Paul and Emeli Sandé).
International Achievement – Gavin Rossdale
Songwriter of the Year – Calvin Harris
Outstanding Song Collection – Noel Gallagher
PRS for Music Special International Award – Randy Newman
Watch the official video for Emeli Sandé’s ‘Next To Me’ HERE…
Watch the official video for The Maccabees’ ‘Pelican’ HERE…
Watch the official video for Alt-J’s ‘Tessellate’ HERE…
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is now available from Amazon’s Kindle Store for only US$7.22 or GB£4.78.
Read a FREE sample of the book HERE (USA) and HERE (UK).
Also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music).
In an earlier story, we asked How many songwriters does it take to write a hit song? According to US singer-songwriter Ke$ha, it only takes a pair!
She recently told US TV chat show host Conan O’Brien that it’s her breasts that write most of her hit songs.
When Conan asked Ke$ha to explain how she writes her songs, she revealed that her latest songwriting technique involves turning off the lights, lowering her boobs over her piano, and bouncing them on the keys to create a melody.
“I just let them tickle the ivories,” said Ke$ha. “It started as like a joke, but it seriously has produced some of my favourite songs on my new record.”
So, another songwriting duo for Songwriters Hall of Fame chairman Jimmy Webb to consider for an award.
And another songwriting team to add to that prestigious list that includes George and Ira Gershwin, Bacharach and David, Lennon and McCartney…
Watch Ke$ha explaining her new songwriting process HERE…
What titles would you suggest for some boobs-written songs?
Photo: Becky Sullivan
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is now available from Amazon’s Kindle Store for only US$7.22 or GB£4.78.
Read a FREE sample of the book HERE (USA) and HERE (UK).
Also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music).
The urge to express yourself is one reason why many songwriters start writing in the first place. And if you can also touch other people’s emotions by writing about a personal experience that they can relate to in their own lives, then it’s usually the sign of a good song.
Katy Perry has revealed that she takes this a stage further by pouring out her darkest secrets and concealing them in her songs. Many of her songs actually contain cryptic truths about her life and relationships, she says.
“They all stem from the truth inside me,” the 28-year-old singer and songwriter recently told OK! magazine. “Maybe I’m not so specific with names, but that’s my lockbox, where all my secrets go.”
Katy also revealed that she initially struggled with songwriting because of her conservative Pentecostal upbringing. In fact, having had very little exposure to mainstream pop music in her strict childhood, she started out pursuing a career in gospel music as a teenager. She didn’t start to open up as a writer, she said, until she met Glen Ballard, her mentor and producer.
“I was at that point in life where I was scared to write about certain subjects because I was still virginal,” she said. “I remember I wrote a song called ‘Nothing Like the First Time’ and I was really scared to present it because it had some risqué lyrics.”
She added: “Glen was like, ‘You can write about anything, anything you feel, just write them.’ I was so free by him allowing me to do that.”
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a paperback, or as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK) or HERE (Australia).
SONGWRITING: THE HIT FORMULA 