Photo: Carlos Delgado
Multi award-winning Scottish DJ, singer, songwriter and record producer Calvin Harris has unveiled the official video for his new single ‘Summer’.
It is the first single from his forthcoming fourth studio album and is tipped to be one of this year’s biggest summertime hits.
‘Summer’ was written and produced by Harris, who won the Songwriter of the Year Award at PRS For Music’s Ivor Novello Awards in 2013. The feel-good track features Calvin himself on vocals for the first time since his multi-million selling single ‘Feel So Close’ in 2011.
Here’s the video for ‘Summer’ …
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![“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, and Barnes & Noble's Nook store](https://thehitformula.com/wp-content/uploads/2013/05/how-not-to-write-a-hit-song-smashwords-cover-blog-widgit-188x282.jpg?w=100&h=150)
“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia)and HERE (Canada).
Back in January, Sam Smith—the hotly tipped British soul singer-songwriter—urged songwriters to be “a voice for lonely people“. He pointed to what he sees as a gap in the music market for songs about “unrequited love”, instead of more common themes for love songs such as falling in love or breaking up.
Sam said he intended to focus on this kind of love song on his debut album, In The Lonely Hour, which is due to be released in May.
“I don’t think unrequited love is spoken about enough in music,” said Sam who came top of the BBC’s Sound Of 2014 list and won the 2014 BRIT Critics’ Choice Award. “I’ve been through unrequited love myself and I found it hard to find songs that were about that.”
Now, Sam is emphasizing his point by releasing a new single, titled ‘Stay With Me’, which is an epic ballad of unrequited love, designed to tug at listeners’ heartstrings.
Released on May 18, the new single is seen as the perfect pre-cursor to the release of his album, In The Lonely Hour, which will feature collaborations with Fraser T Smith, Two Inch Punch, Eg White, Disclosure, Zane Lowe, Tourist, and Sam’s long-time writing partner Jimmy Napes.
Here’s the official video for ‘Stay With Me’ …
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA) and HERE (UK).
Dedicated songwriters who craft intelligent, perceptive songs—but are frustrated by record companies’ growing emphasis on “hit today-gone tomorrow” throwaway pop music—have found a new ally in 87-year-old Tony Bennett.
The 17-time Grammy-winning jazz singer has always nurtured the art of literate songwriting, but is dismayed by the state of popular music today.
Bennett has been making records since 1951 and has recorded songs by some of the greatest songwriters of all time. He has built a 60-year career on classic songs from the Great American Songbook—he calls them “the silver lining songs”—but he is dismissive of the quality of many of today’s melodies and lyrics.
“The songs that are written today, most of them are terrible,” Bennett recently told BBC Radio 4. “It’s a very bad period, musically, throughout the world for popular music.”
But Bennett doesn’t think it is necessarily the artists and producers who are at fault for not cutting better-quality songs. He blames money-hungry labels for setting much lower standards instead of backing songs that will stand the test of time. He believes record company bosses have become obsessed with making sure their releases generate money quickly.
The legendary singer also accuses record labels of ‘dumbing down’ by refusing to release music that will engage listeners on an intellectual level.
“They think the public is ignorant, so their attitude is, ‘Don’t give them anything intelligent, because it won’t sell’,” said Bennett.
He added: “I grew up in an era where the record companies just sold records to everybody, and the whole family bought songs. Today, record companies are failing because they are putting their accent just on the young, and I think that’s rather silly. They’re missing out on thousands of people that would love to buy records but they don’t buy them because they don’t have a lasting quality.”
And here’s Tony Bennett and the late Amy Winehouse showing just what he means by songs that can stand the test of time. ‘Body and Soul’ was written 74 years ago, with music by Johnny Green and lyrics by Edward Heyman, Robert Sour and Frank Eyton.
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).
Unless you’re collaborating with other writers, or writing for your own band, songwriting can be a solitary endeavor. It requires a lot of time alone. You’re left in your writing room day after day, night after day, fighting the twin demons of indecision and procrastination.
That’s why it can be very useful to have a songwriting buddy, says Grammy award-winning singer-songwriter Lorde.
“If you are writing on your own, have someone whose opinion you really trust and who cares about what you’re doing and isn’t gonna judge you in a weird way,” the 17-year-old New Zealander recently told Rookiemag.com. “Send them stuff and ask them what they think.”
Lorde added: “I started out writing music with Joel [New Zealand musician, producer and songwriter Joel Little], who is still my co-writer. I never showed my music to anyone else … but if I hadn’t had him as a sounding board, it would’ve been difficult.”
As Lorde found with Joel Little, 31, your buddy can be a musician friend or a fellow songwriter you respect – someone who will give you a chance to think out loud and be a sounding board for your new ideas.
Alternatively, your songwriting buddy could be a special person that you trust and who will always give you an honest opinion. It could be your girlfriend, boyfriend, best friend, husband or wife – someone you can play a new song to without feeling embarrassed or self-conscious.
Ideally, though, your buddy should be someone who understands songwriting and whose encouragement, experience and insight will help you gain momentum and confidence in your own writing.
“As a young songwriter, I would put a lot of pressure on myself,” Lorde told Rookiemag.com. “I’d write a line and then aggressively backspace … I would just censor myself so heavily. I felt like there wasn’t room for me to write a bad song or write something that didn’t necessarily fit with my vibe or whatever.”
Many writers will admit that they’re often not the best judge of their own material, regardless of their level of experience or success. It is easy to get so close to a song that you can’t tell if it is truly finished or still has some weaknesses.
That’s why a songwriting buddy can provide unbiased feedback at the crucial re-writing stage – before you start spending time and money on making a demo. He or she can give you valuable criticism (or praise) from an outside perspective.
“At the same time though, try not to get too hung up on what other people think,” said Lorde. “At the end of the day, if you think something’s cool and everyone else thinks it sucks then you’ve still made something which you’re proud of.”
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).
The IFPI – the worldwide music industry trade body – has launched an innovative video designed to highlight the huge and constant impact that hit songs have had on people’s lives over the past 100 years.
Titled Music Remains, the 90-second video is a race through time filmed at London’s famous Abbey Road studios. It features British rapper MC Pepstar performing lyrics about what recorded music means to him over a soundtrack that moves through iconic music tracks of the last 100 years.
Produced by music industry creative director Steve Milbourne and film director Martin Stirling of Unit 9 Films, the video features an amazing ‘Recorded Music Rube Goldberg Machine’ (remember those clever Honda TV adverts?).
Filmed as a compelling one-shot video, the unique machine shows recorded music technologies changing over the decades. It uses an ingenious chain reaction which cascades through the generations, beginning with a gramophone and ending with an iPad.
Here’s the Music Remains video, followed by a ‘behind the scenes’ video which looks at how the amazing Rube Goldberg Machine was created …
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).
Many new songwriters often make the mistake of simply trying to mimic songs that have already enjoyed chart success, instead of trying to add distinctive elements of their own to create something fresh.
Pharrell Williams firmly believes in the importance of not just imitating what’s already happening: “I feel like when you copy, you blend in, and when you blend in, you get lost,” he recently told Collider.com.
“If someone asks me what inspires me, I always say ‘That which is missing’ because I don’t want to copy everything that’s already happening,” he said. “When I make music, I try to make something you’ve never heard before.”
For new writers, though, it is equally important to make sure that your songs are not TOO different—otherwise you could end up writing in a form that many listeners just can’t understand. You have to strike a balance.
This is because there are specific conventions that are consistently found in the chord progressions, melodies, lyrics, rhymes and construction of all hit songs. Over the past 50 years in particular, listeners have subconsciously come to expect to hear these elements in all new songs.
To be sure of finding receptive ears in the music industry (and amongst record buyers), your songs therefore need to sound familiar—but not similar.
Previously unheard songs have to be easy enough on the listener’s ear to be commercial and marketable (which, at the end of the day, is all that record companies and music publishers are interested in). But instead of simply copying stuff that is happening, focus on taking what is already out there to a new level—whilst being careful not to make too big a leap that could leave a huge gap between you and your audience.
When someone once asked the legendary trumpet player Clark Terry what steps he felt newcomers should take to achieve success, he famously replied: “Imitate, assimilate, and innovate”.
In other words, listen to what’s being played on the radio and on streaming services, analyze the latest trends, absorb the key elements of current hit songs and emulate them—but carve your own niche by innovating and adding something new of your own.
As Pharrell Williams says: “Try to find that which is missing”…
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WRITING SONGS IN THE STREAMING AGE – 40 MISTAKES TO AVOID IF YOU WANT TO GET MORE STREAMS is available from Amazon as a US paperback, a UK paperback, a Canada paperback, an Australia paperback, and across Europe.
It is also available as an eBook from Amazon’s Kindle store in the United States, Canada, the UK, Australia, and across Europe—as well as Apple Books, Barnes & Noble and Rakuten’s KoboBooks.
Read a FREE SAMPLE of the book HERE (USA)…HERE (UK)… HERE (CANADA)… and HERE (AUSTRALIA).
“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).
British singer-songwriter Molly Smitten-Downes will represent the United Kingdom in the Grand Final of this year’s Eurovision Song Contest, with her self-penned song ‘Children of the Universe’.
The event will take place in Copenhagen on 10 May 2014.
‘Children of the Universe’ is described as “an anthemic, uplifting track specifically written with live performance in mind”.
Molly, aged 26, from Leicestershire, was discovered through BBC Radio’s BBC Introducing and was invited to compose and perform a song especially for the competition.
Molly has been singing and writing songs for over ten years and is well known within the UK live music scene. She was awarded Best Urban/Pop Act at Live and Unsigned in 2012, and in 2013 won ‘Best Song’ at the Best of British Unsigned Music Awards.
She has supported artists such as Jake Bugg, Tinie Tempah, Labrinth and Chase n Status.
“I’m so excited for everyone to hear ‘Children of The Universe’,” says Molly. “I’m so happy with it. To represent the United Kingdom in such a huge competition, not only as a singer and performer but as a songwriter is an unbelievable honour.”
Here’s a video showing Molly performing ‘Children of The Universe’ live…
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).
The legendary songwriting team of Kenneth Gamble and Leon Huff are set to receive the Songwriters Hall of Fame’s prestigious Johnny Mercer Award at the 45th Annual Induction and Awards ceremony in New York City on June 12.
The Mercer Award is the highest honour bestowed by the Songwriters Hall of Fame. It is reserved for a songwriter or songwriting team whose body of work is of such high quality and impact that it upholds the standard set by Johnny Mercer himself.
Philadelphia-based Gamble and Huff will join past Mercer Award recipients Elton John and Bernie Taupin, Barry Mann and Cynthia Weil, Holland-Dozier-Holland, Paul Anka, Kris Kristofferson, Smokey Robinson, Hal David and Burt Bacharach, and Cy Coleman.
“It will be our pleasure to welcome Gamble and Huff into the circle of superwriters who have received the Johnny Mercer Award,” said Jimmy Webb, the Songwriters Hall of Fame chairman and a fellow recipient of the Mercer award. “They have met the standard with a series of indelible melodies and lyrics, and an enviable string of number one records and gold and platinum discs.”
Over the past 50 years, Gamble and Huff have written over 3,500 songs together, including 50 pop and R&B chart hit singles. They have won five Grammy Awards and 86 BMI Pop and R&B Awards.
In 1971, the duo set up their own record label, Philadelphia International Records, and went on to create ‘The Sound of Philadelphia’ with classic hits such as The Supremes’ ‘I’m Gonna Make You Love Me’, ‘Only The Strong Survive’ by Jerry Butler, Harold Melvin & the Blue Notes’ ‘If You Don’t Know Me By Now’, Billy Paul’s ‘Me and Mrs. Jones’, and ‘Love Train’ by The O’Jays.
Gamble and Huff were inducted into the Songwriters Hall of Fame in 1995.
This video charts the history of Gamble & Huff and The Sound of Philadelphia:
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a paperback, or as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).
A recent study by researchers in Germany suggests that health problems can affect the style, creativity and inspiration of songwriters and composers.
Studies have already shown how Beethoven’s progressive deafness resulted in his three different (and increasingly poignant) styles. But in a paper – published in the British Medical Journal (BMJ) – researchers show how German composer Richard Wagner used his disabling migraines and headaches to compose his operas.
Wagner’s medical problems have often been investigated and he even described his headaches and symptoms as the “main plague of his life”. However, the latest study closely examines the structure of Wagner’s opera Siegfried, the third part of the Ring Cycle, to highlight how the composer’s ailments influenced his work.
The researchers say Siegfried opens with a pulsating thumping which gradually becomes more intense until it reaches an “almost painful pulsation”. At the climax, the main character cries out “Compulsive plague! Pain without end!” which the researchers believe is a representation of a “painful, pulsating sensory migraine episode”.
In his memoirs, Wagner gives an account of the symptoms he had in September 1865, around the time he composed Siegfried. The composer openly voiced his suffering caused by the “nervous headaches” he had while composing this opera.
Wagner’s depiction of his migraines included a “scintillating, flickering, glimmering melody line with a zig-zag pattern” while a main character sings of “Loathsome light!” and “rustling and humming and blustering”. The researchers say the music has all the characteristics of a typical migraine and the experimental flicker frequency gives “important clues” about the performance speed intended by Wagner.
The researchers conclude that, although Richard Wagner was “severely burdened” by migraine, he used his suffering creatively – “letting future generations take part in his emotions and perceptions”.
There is a video extract from the study’s findings HERE…
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.
Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).
The BPI has announced that composer Hans Zimmer will receive the Outstanding Contribution To Music Award at this year’s Classic BRIT Awards. The event will take place on Wednesday, 2 October 2013 at London’s Royal Albert Hall.
The ceremony will include a special tribute to the works of Zimmer.
In his 30-year career, he has scored over 100 films and won a multitude of awards, including an Academy Award, two Golden Globes, four Grammys and a Classic BRIT award.
His works have included Gladiator, The Lion King, Thelma and Louise, Mission Impossible 2, Pirates of the Caribbean, The Da Vinci Code, Driving Miss Daisy, Inception, Rain Man, The Thin Red Line, As Good As It Gets, True Romance, The Last Samurai, and most recently Man of Steel and The Dark Knight Rises.
Zimmer has also worked in other areas, such as the computer games industry, and compiled the soundtrack for Activision’s Call of Duty: Modern Warfare 2.
Co-chairmen of The Classic BRIT Awards committee Dickon Stainer (president of Decca Records) and Barry McCann (director of Avie Records), said: “We are absolutely delighted to be honouring the outstanding talent of Hans Zimmer with this award.
“Hans Zimmer’s recent work, including Inception, has been a dominant force for classical music specifically in the digital download era.
“It is only appropriate that four years on from his 2009 win for Soundtrack of the Year for The Dark Knight he should receive the Outstanding Contribution to Music at this year’s ceremony.”
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is now available from Amazon’s Kindle Store for only US$7.22 or GB£4.78.
Read a FREE sample of the book HERE (USA), HERE (UK) or HERE (Australia).
Also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), and Barnes & Noble’s Nook store.
SONGWRITING: THE HIT FORMULA 