SONGWRITING TIPS AND ADVICE ON THE ESSENTIAL INGREDIENTS FOUND IN ALL HIT SONGS

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SONGWRITING TIPS: David Bowie's 'cut-up' method of writing lyricsWhen David Bowie released his twenty-fourth studio album, The Next Day, in 2013, a journalist asked him to explain his thinking behind the new songs, each of which featured unusual, cryptic lyrics and surreal imagery.

Bowie responded by sending the journalist a list of 42 words which supposedly provided the framework for the critically-acclaimed album.

Here are those 42 words:

Effigies … Indulgences … Anarchist … Violence … Chthonicum … Intimidation … Vampyric … Pantheon … Succubus … Hostage … Transference … Identity … Mauer … Interface … Flitting … Isolation … Revenge … Osmosis … Crusade … Tyrant … Domination … Indifference … Miasma … Pressgang … Displaced … Flight … Resettlement … Funereal … Glide … Trace … Balkan … Burial … Reverse … Manipulate … Origin … Text … Traitor … Urban … Comeuppance …. Tragic … Nerve … Mystification.

Quite a confusing lyrical framework for an album that ended up including song titles such as: ‘The Stars (Are Out Tonight)’, ‘Love Is Lost’, ‘Where Are We Now?’, ‘Valentine’s Day’ and ‘The Next Day’.

Maybe the answer can be found in a 2008 interview with Bowie. In it he described how he often comes up with interesting lyric lines by employing the ‘cut-up’ writing technique used by postmodernist author William S. Burroughs in his controversial novel Naked Lunch.

‘Cut-up’ is a literary technique designed to add an element of chance to the creative process.

It involves taking a finished line of text and cutting it into pieces—usually with just one or two words on each piece. The resulting pieces are then rearranged to create a brand new text.

The cut-up concept can be traced back to the Dadaists of the 1920s, but it was developed further in the early 1950s by painter, writer and sound poet Brion Gysin—and then popularized in the late 1950s and early 1960s by Burroughs.

David Bowie explained: “I use it for igniting anything that may be in my imagination … You write down a paragraph or two describing several different subjects, creating a kind of ‘story ingredients’ list, I suppose, and then cut the sentences into four or five-word sections; mix ’em up and reconnect them.

“You can get some pretty interesting idea combinations like this,” he said. “You can use them as is or, if you have a craven need to not lose control, bounce off these ideas and write whole new sections.”

This technique is also said to have influenced Kurt Cobain’s songwriting. And Thom Yorke applied a similar method on Radiohead’s 2000 album Kid A. Yorke reportedly wrote single lines, put them into a hat, and drew them out at random while the band rehearsed the songs.

Here’s Bowie explaining his cut-up technique in the 1975 BBC TV documentary Cracked Actor

So there you have it … If you want to get all Bowie-esque and create some unusual and intriguing lyrics, simply reach for your lyric notebook and a pair of scissors – and start cutting and pasting!

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.A 5-star rated book at Amazon, “How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA) and HERE (UK), HERE (Australia) and HERE (Canada).

FRONT COVER - JPG - 10-8-16 - FINAL

“How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.

Read a FREE sample of the book HERE (USA) and HERE (UK), HERE (Australia) and HERE (Canada).

SURPRISING RHYMING – AN ALTERNATIVE RHYMING DICTIONARY FOR SONGWRITERS AND POETS

“SURPRISING RHYMING” – The Alternative Rhyming Dictionary for Songwriters and Poets – is available from Amazon as a US paperback, a UK paperback, and across Europe. It is also available as an eBook from Amazon’s Kindle store in the United States, the UK and Europe, as well as Apple’s iTunes Store, Barnes & Noble’s Nook Store and Rakuten’s KoboBooks.

Read a FREE sample of the book HERE (USA) … HERE (UK) … HERE (CANADA).

 


John Mayer“All I’ve ever wanted out of music is to look forward to waking up the next morning and seeing what’s going to come out of the guitar and what I’m going to figure out and what I’m going to create.”

—John Mayer (on the My Stupid Mouth fan forum)

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MORE SONGWRITING TIPS

“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA),  HERE (UK),  HERE (Australia)  and HERE (Canada).


ED SHEERAN

“If I write a song, there has to be a catalyst. It can’t just be like ‘I had a nice day’. It has to be like ‘I had the best day ever’ or the worst day ever. You can’t write a song from a bland experience, but you can write a song from two extremes.

“If you’re in a really good mood, you can write the best song, and if you’re in a really bad mood, you can write the best song. But if you’re just vanilla, you can’t.”

—Ed Sheeran (in an interview with CNN)

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MORE SONGWRITING TIPS

“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA),  HERE (UK),  HERE (Australia)  and HERE (Canada).


PINKPink – recent recipient of the prestigious President’s Award for outstanding achievement in songwriting at BMI’s 2015 Pop Awards – believes it’s important for songwriters to always be honest in their songwriting.

“I would say to aspiring songwriters, as long as you’re uncomfortable you’re probably on to something,” she says. “The more uncomfortable you are, and the more honest you’re being, the better the outcome will probably be.”

Pink believes strongly in the power of songwriters to speak truth through their music. Honest songs, she says, can often resonate strongly with listeners who are able to relate to those same experiences, hardships and situations in their own lives – whether it’s a broken love affair, a personal tragedy, or family problems.

If you can touch people’s emotions and make the listener feel something, it’s the sign of a good song.

As US singer-songwriter Jackson Browne once observed: “I’m not looking to describe something that’s only true of my own circumstances. It’s all about reaching inside to something that you have in common with many.”

Pink believes it is essential to write your own story. “To me, it’s a necessity. I’ve always had to put pen to paper and just scratch out my rage since I was little.”

She says: “I’m an open book. I hide nothing. I’m expressive. I’m honest … When I work with people, we share our most intimate betrayals and heartache and love, and then we just start playing …

“As long as people are telling the truth, I’m listening,” she says. “But if you have nothing to say, I’m bored.”

Grammy Award winner, Pink – whose real name is Alecia Moore – has released six studio albums as a solo artist, as well as 2014’s Rose Ave., a debut album for her folk-inspired pop duo You+Me with Canadian musician Dallas Green. She has sold over 40 million albums (and 65 million singles) worldwide.

In being presented with BMI’s President’s Award, she joins previous recipients such as Taylor Swift, Gloria Estefan and Willie Nelson.

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA), and HERE (UK).


STEVE EARLE 2015

“From my experience, I can count on one of Billy Joe Shaver’s hands the number of times that a song was purely inspiration. The vast majority of the time, I get a verse, or a chorus, and that’s it – the rest is work. And you have to learn to do it to be great. But you can learn how the mechanics work, and you can get better at it.”

— Steve Earle (in an interview with San Francisco Examiner)

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MORE SONGWRITING TIPS

“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA),  HERE (UK),  HERE (Australia)  and HERE (Canada).


BRIAN WILSON - THE HIT FORMULA“The creative process is something that you kind of learn. You get a feel for it the better you get at it …

“I take walks at a park and that clears my brain out and makes me able to write songs better … I go to the studio and sit down at the piano and play chords. Whatever I feel like playing, you know? And then a melody starts to happen, and then the lyrics start to happen, and then you’ve got a song …”

— Brian Wilson (in an interview with American Songwriter magazine)

MORE SONGWRITING TIPS

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA),  HERE (UK),  HERE (Australia)  and HERE (Canada).


METALLICA PROMO PHOTO-1200x120011Metallica’s longtime lead guitarist Kirk Hammett has warned songwriters who record and store song ideas on their phone to make sure they always keep the phone backed up.

Hammett speaks from bitter first-hand experience. He recently lost his phone which contained over 250 unused Metallica song ideas and riffs. Metallica are, of course, famous for their heavy riff-orientated sound.

“I lost my iPhone with 250 musical ideas,” Hammett told the podcast The Jasta Show. “I was crushed. It didn’t get backed up. When it happened, I was bummed out for about two or three days. I’m still looking for it to this day …”

Hammett added: “All you musicians out there who use your phone, make sure it’s backed up, right?”

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA),  HERE (UK),  HERE (Australia)  and HERE (Canada).


Legendary songwriters Bobby Braddock, Willie Dixon, Robert Hunter & Jerry Garcia, Toby Keith, Cyndi Lauper and Linda Perry will become the latest inductees of the Songwriters Hall of Fame at the organization’s 46th Annual Induction and Awards event in New York City on June 18, 2015.

Willie Dixon and Jerry Garcia will be inducted posthumously.

The 2015 inductees have been responsible for classic songs such as ‘He Stopped Loving Her Today’, ‘Hoochie Coochie Man’,’ Little Red Rooster, ‘D.I.V.O.R.C.E’, ‘Dark Star’, ‘Should’ve Been A Cowboy’, ‘Time After Time’ and ‘Beautiful’.

“Our 2015 line-up of inductees represents the rich diversity of American musical styles – Rock, Country, Blues and Pop – that have captivated the world over the past six decades,” said Songwriters Hall of Fame President & CEO Linda Moran. “Each one of these brilliant music creators have written instantly recognizable classics, songs that are both of their time and timeless.”

Established in 1969, the Songwriters Hall of Fame (SHOF) is intended to be a bridge between music’s past and future.  In the Hall, musical pioneers are enshrined and celebrated, while the organization’s outreach to the music community grooms the next generation of songwriters.

Image via Songwriters Hall of Fame

Image via Songwriters Hall of Fame

Bobby Braddock:

Bobby Braddock is one of the most successful country music songwriters of all time.  He grew up in Florida, travelled the South as a rock and roll musician, and became a songwriter in Nashville in the mid-1960s.  He is the only living person to have written number one country hits in five consecutive decades, penning songs for artists such as Willie Nelson, Nancy Sinatra, Jerry Lee Lewis, T. G. Sheppard and many more.

With 13 number one hits, his songs have become country music standards, including favourites such as, ‘D.I.V.O.R.C.E,’ recorded by Tammy Wynette, ‘Golden Ring,’ the duet sung by George Jones and Tammy Wynette, Tracy Lawrence’s, ‘Time Marches On,’ and Toby Keith’s 2001 hit, ‘I Wanna Talk About Me’ (the first #1 country rap song). ‘He Stopped Loving Her Today,’ sung by George Jones, has led most surveys as the best country song of all time. In 2001, he embarked on a new career as a producer, discovering singer Blake Shelton and making several number one records with him.

Braddock’s most recent number one composition was Billy Currington’s, ‘People Are Crazy.’ In 2011, he was inducted into the Country Music Hall of Fame and received the annual BMI Icon Award, and in 2012, received the ACM Poet’s Award.  He has received six CMA Song of the Year nominations, winning twice. He has received a total of 30 BMI airplay awards, and nine ‘Million Air’ awards for songs that received at least one million performances each.

Willie Dixon:

Willie Dixon, one of the most prolific songwriters of all time, has been referred to as ‘the poet laureate of the blues’ and the ‘father of modern Chicago blues.’ His songs have been recorded by countless artists across varying genres. ‘Hoochie Coochie Man,’ first recorded by Muddy Waters and later by Jimi Hendrix, Chuck Berry and Jimmy Smith, went on to be recognized by The Blues Foundation and the Grammy Hall of Fame for its influence in pop music and in 2004, was selected for preservation by the U.S. Library of Congress National Recording Registry.

Also first recorded by Muddy Waters was ‘I Just Want to Make Love to You,’ later covered by a wide array of artists including Etta James, Adele, Van Morrison, and The Kinks, among others. One of his best-known compositions was ‘Little Red Rooster,’ which was recorded by the Rolling Stones, Sam Cooke, the Grateful Dead, The Doors and Tom Petty and the Heartbreakers, and was included in the Rock and Roll Hall of Fame’s list of the 500 Songs That Shaped Rock & Roll. His other notable songs include ‘My Babe,’ ‘Spoonful’ and ‘You Can’t Judge a Book by the Cover.’ He was inducted into The Blues Hall of Fame in 1980 and posthumously inducted into the Rock and Roll Hall of Fame in the ‘early influences’ (pre-rock) category in 1994.

Jerry Garcia & Robert Hunter:

Songwriting partners Robert Hunter and Jerry Garcia first paired together as performers in a folk duo in the early 1960s.  When Jerry formed the Grateful Dead in the mid-1960s, he looked to Robert for lyrics. Robert became an official lyricist for the band, and when they were inducted into the Rock and Roll Hall of Fame in 1994, Robert was inducted as a band member, the only non-performer ever honoured.

Jerry wrote the music while Robert penned lyrics for songs such as, ‘Casey Jones’, ‘China Cat Sunflower,’ ‘St. Stephen’ and ‘Truckin,’’ which was recognized by the United States Library of Congress in 1997 as a national treasure.  With more than 35 million albums sold worldwide, other notable tracks include: ‘Dark Star’ (listed as one of The Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll, and ranked at #57 on Rolling Stone’s 100 Greatest Guitar Songs of All Time), the 1987 single ‘Touch Of Grey’, and ‘Friend Of The Devil’ from the 1970 album American Beauty, which has been covered by Bob Dylan, Tom Petty, The Counting Crows, Elvis Costello, Lyle Lovett and John Mayer.  In 2007, the Grateful Dead received a Grammy Lifetime Achievement Award.

Toby Keith:

Toby Keith has been one of the most consistent songwriters and hit makers of his era.  He has written a number one song for 20 consecutive years – from his first number one smash, ‘Should’ve Been A Cowboy’ to ‘How Do You Like Me Now?’, ‘Who’s Your Daddy’, ‘Courtesy of the Red, White and Blue (The Angry American)’, ‘Beer For My Horses’, and ‘I Love This Bar’. He has been honoured with the Nashville Songwriters Association International’s Songwriter/Artist of the Decade distinction and is a three-time BMI Country Songwriter/Artist of the Year.  His albums have sold more than 40 million copies, and his tours have drawn more than one million fans each year for the last 14 years.

Cyndi Lauper:

Cyndi Lauper first found acclaim in 1983, co-writing a pair of memorable singles—’Time After Time’ and ‘She Bop’—for her seminal debut, She’s So Unusual.  Spring-boarding off this success, she co-wrote most of her follow-up album, True Colours, including the hit ‘Change of Heart’. As her craft evolved, so did her nuance for expressing social issues, notably on Hat Full of Stars (‘Sally’s Pigeons’, ‘A Part Hate’, ‘Broken Glass’) and Sisters of Avalon (‘Ballad of Cleo and Joe,’ ‘Say A Prayer’).

Throughout her career Cyndi has penned tracks with an assortment of her peers including Billy Joel, The Hooters, Mary Chapin Carpenter, Jeff Beck, Junior Vasquex, Ryuichi Sakamoto, Nellie McKay and Max Martin.  In 2013, those decades of songwriting culminated in Cyndi’s first foray into Broadway, composing the music for the critically adored Broadway musical Kinky Boots.  The musical won six Tony Awards, including one for her score, which made her the first woman to win solo in that category.  The show has gone on to set a box office record.  Cyndi’s spirited songwriting has earned her more than 50 million in album sales, two Grammys, an Emmy, and a Tony.

Linda Perry:

Growing up, Linda Perry was exposed to a wide-range of musical influences, and began to show interest in creating her own music at a very young age. By age fifteen, she had written her first song, titled ‘Pity Girl’. Perry joined 4 Non Blondes in the early 1990s, and is credited with writing the mega-hit ‘What’s Up’ which catapulted the band to international stardom (selling over seven million records worldwide).

In 2000, Perry began working with Pink on the twice Grammy-nominated album, M!ssundaztood which sold over 13 million copies. Perry wrote and produced eight tracks on the album, including the Grammy-nominated song ‘Get the Party Started’. Perry continued her work with Christina Aguilera, writing and producing several songs including the critically acclaimed pop-ballad ‘Hurt’ and the Grammy Award-winning ‘Beautiful’. Since then, she has written and produced songs with and for artists such as Alicia Keys, Gwen Stefani, James Blunt, The Dixie Chicks, and Celine Dion.

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).


MARK RONSON - UPTOWN SPECIAL ALBUM COVERWhen Mark Ronson started working on his chart-topping album Uptown Special – his first album for four years – he wanted to push the boundaries for an R&B record by featuring ambitious, memorable lyrics that were about much more than standard themes like love and dancing.

He told The Atlantic magazine: “I’d just written the piece of music that became ‘Summer Breaking’ and I could already tell that the chords and the melody needed something more interesting than I was capable of doing.”

Ronson felt that the music was telling him it needed lyrics that told good stories.

That’s when Ronson took the unusual step of contacting Michael Chabon, the music-loving, Pulitzer prize-winning author of seven novels, including The Amazing Adventures of Kavalier & Clay.

As a result, the acclaimed American author’s lyrics now feature on more than half the tracks on Uptown Special.

“Michael is one of the greatest living American authors and has this way with language,” Ronson told The Atlantic. “He brought something to this record that no other songwriter would have thought of in a million years.”

Michael Chabon recently told BBC Radio 4: “Mark was hoping for something different where there might be personas created in a more literary way whose stories were going to be revealed in the unfolding of the lyrics.”

With some songs, Chabon wrote the lyrics first and Ronson composed music to fit the words (like Elton John and Bernie Taupin); for other songs, the author was sent a basic track and he had to come up with lyrics to fit the melody.

Mark Ronson (left) and Michael Chabon. Photo: Gearbox Records/Twitter

Mark Ronson (left) and Michael Chabon. Photo: Gearbox Records/Twitter

Mark Ronson’s highly successful collaboration with Michael Chabon is not the first time an acclaimed novelist has crossed over the border into the world of music. Booker-prize winning author Kazuo Ishiguro writes lyrics for jazz singer Stacey Kent; Tom Waits has worked with William Burroughs; Salman Rushdie’s words have been used by U2; and Nick Hornby wrote lyrics for Ben Folds’ 2010 album Lonely Avenue.

A good novel and great lyrics share the same ability to use well-chosen words to reach people on an emotional level. And they can both create powerful imagery through the potent use of devices such as metaphor, simile and personification. But lyricists have to work their magic under much tighter constraints than novelists. An author can pour out his or her feelings on page after page of dense and structurally complex text; the lyricist has to be more concise and work within the confines of a clearly defined song structure and rhythm.

Talking about his lyric-writing experience with Ben Folds, Nick Hornby once observed: “You have to learn to scale back the length of the narrative.”

Michael Chabon admitted that adapting the relative freedom of his novel-writing style to the precise musical and rhythmic restrictions of a song was a “brilliant challenge”.

He told The Guardian newspaper: “I had way too many verses. The lines were much too long with far too many syllables. There was this whole issue of singability I had no experience of.”

He added: “Just because something looks good on the page doesn’t guarantee it can be a viable lyric. Sometimes you need a line not to be brilliant or memorable or dazzling. You need it to fit …”.

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).


BRAD PAISLEYAmerican singer-songwriter and award-winning country star Brad Paisley believes songwriters should always think of the images their words will create in listeners’ minds when they’re working on new songs and writing lyrics.

“My idea of country music is always about the pictures it paints for you,” triple Grammy Award winner Paisley recently told ABC News Radio. “I don’t like songs that don’t give me images in my mind.”

Paisley—who has sold over 12 million albums and has won 28 country music awards—says the same ‘visual’ approach to songwriting should also be applied to pop and rock songs. He points to The Eagles’ ‘Hotel California’ as a great example. “I don’t know totally what that song’s about, but you know, ‘On a dark desert highway’, you know, it’s just…you see everything they’re sayin’.”

Choosing words that paint a picture in the listener’s imagination is also important because it will enable you to reach him or her on an emotional level … and make them feel what you’re feeling.

This aspect of the craft of successful songwriting is a major challenge because you have to skilfully use powerful devices such as metaphor, simile, personification and rhyme within the constraints of a clearly defined song structure and rhythm. And you only have three minutes or so in which to get some vivid colours onto your lyrical canvas to captivate the listener.

That’s why many top writers’ lyrical language is often simpler and more down to earth—with short descriptive phrases that are easily understood and can therefore immediately connect with the listener.

JONI MITCHELLJoni Mitchell is another singer-songwriter who has always taken a highly visual approach to songwriting: “My style of songwriting is influenced by cinema,” she once remarked. “I’m a frustrated filmmaker… It’s very visual. You’re scoring the actress, but the actress is singing the lines and trying to get them as conversational as film.”

Joni added: “A fan once said to me, ‘Girl, you make me see pictures in my head!’ and I took that as a great compliment. That’s exactly my intention.”

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA) and HERE (UK & Europe).