Co-writing and building relationships with more experienced writers is one of the best ways to grow as a songwriter, says British singer-songwriter Jake Bugg.
He topped the UK album chart in 2012 with his platinum-selling debut album, Jake Bugg, which was largely co-written with established songwriters Iain Archer, Matt Prime and Crispin Hunt.
Bugg has recently been working on tracks for his second studio album with legendary producer Rick Rubin. The new album will again involve collaborations with seasoned songwriters, including some of the top writers in Nashville.
Bugg, 19, recently told the UK’s Daily Star newspaper: “I’m still very young, and I believe I should soak up what I can learn from people with more experience. I’m taking it all on board, so I can step into writing on my own eventually.”
There is no doubt that collaborations can help you to learn how to write better songs much faster. Working with a co-writer with talents that complement your own can help to take you and your songs to a much higher level. As Brian Eno once put it: “Every collaboration helps you grow”.
An experienced songwriting partner can also help to keep you focused. He or she may question your lyrics when you’re under-achieving, and introduce fresh ideas and new chords that may take your songs to new places.
And if you’ve got a great idea for a song but you just can’t seem to finish it, an accomplished co-writer may be able to listen objectively to what you’ve got and come up with the missing link. He or she may introduce lyrical or melodic ideas that would never have occurred to you while you’re still honing your own skills.
As Robbie Shakespeare of long-time reggae duo Sly and Robbie recently remarked: “If you have two sets of ears, you can hear more.”
Jake Bugg’s latest single – produced by Rick Rubin – is a re-recording of the haunting song ‘Broken’ from his debut album. Bugg co-wrote the track with Crispin Hunt.
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a paperback, or as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
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Listening to the same things over and over again can kill your creative process, warns Taylor Swift.
“I think you need to change up your influences,” she recently told USA Today. “I think you need to be inspired by different things than you were inspired by before.”
Swift, who is about to start working on new songs for her next album, revealed that she often scraps new ideas if they sound too familiar to her. “I may like it, but if it’s going to sound like the last record it is going to get thrown away,” she said.
She also confessed that her songwriting is often spurred by anxiety. “When the anxiety starts, the writing happens right after, usually,” she said.
Many leading songwriters agree that is important to seek inspiration by listening to plenty of new things – even genres that you haven’t considered before. It can help you to start thinking differently about your own songs.
For example, Taylor’s good friend Ed Sheeran recently revealed that his follow-up to his 2011 debut album is likely to include a broad mix of influences. In an interview with MTV News, he even hinted that it could feature some hip-hop and rap-metal songs. He recently recorded a track with rapper and hip-hop star The Game.
“I’m actually writing very specific songs to genres at the moment,” he said. “I’ve got a whole album of one genre and enough to make another of another genre.”
US singer-songwriter Ben Harper also feels it is important to listen to other kinds of music. “That’s how new ideas come,” he said, “and how musical inspiration is passed on—through other music and other brilliant artists. Listen to whatever pulls you in different musical directions so that you don’t start copying yourself.”
Critically-acclaimed British songwriter and guitarist Richard Thompson once told Innerviews magazine: “Someone very wise said ‘Copy everyone except yourself’. Looking at other people’s ideas and twisting them to fit your own style is a good thing.”
He added: “It’s important to keep searching and not go for the obvious idea.”
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a paperback, or as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK) or HERE (Australia).
In an earlier story, we asked How many songwriters does it take to write a hit song? According to US singer-songwriter Ke$ha, it only takes a pair!
She recently told US TV chat show host Conan O’Brien that it’s her breasts that write most of her hit songs.
When Conan asked Ke$ha to explain how she writes her songs, she revealed that her latest songwriting technique involves turning off the lights, lowering her boobs over her piano, and bouncing them on the keys to create a melody.
“I just let them tickle the ivories,” said Ke$ha. “It started as like a joke, but it seriously has produced some of my favourite songs on my new record.”
So, another songwriting duo for Songwriters Hall of Fame chairman Jimmy Webb to consider for an award.
And another songwriting team to add to that prestigious list that includes George and Ira Gershwin, Bacharach and David, Lennon and McCartney…
Watch Ke$ha explaining her new songwriting process HERE…
What titles would you suggest for some boobs-written songs?
Photo: Becky Sullivan
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is now available from Amazon’s Kindle Store for only US$7.22 or GB£4.78.
Read a FREE sample of the book HERE (USA) and HERE (UK).
Also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music).
The urge to express yourself is one reason why many songwriters start writing in the first place. And if you can also touch other people’s emotions by writing about a personal experience that they can relate to in their own lives, then it’s usually the sign of a good song.
Katy Perry has revealed that she takes this a stage further by pouring out her darkest secrets and concealing them in her songs. Many of her songs actually contain cryptic truths about her life and relationships, she says.
“They all stem from the truth inside me,” the 28-year-old singer and songwriter recently told OK! magazine. “Maybe I’m not so specific with names, but that’s my lockbox, where all my secrets go.”
Katy also revealed that she initially struggled with songwriting because of her conservative Pentecostal upbringing. In fact, having had very little exposure to mainstream pop music in her strict childhood, she started out pursuing a career in gospel music as a teenager. She didn’t start to open up as a writer, she said, until she met Glen Ballard, her mentor and producer.
“I was at that point in life where I was scared to write about certain subjects because I was still virginal,” she said. “I remember I wrote a song called ‘Nothing Like the First Time’ and I was really scared to present it because it had some risqué lyrics.”
She added: “Glen was like, ‘You can write about anything, anything you feel, just write them.’ I was so free by him allowing me to do that.”
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a paperback, or as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK) or HERE (Australia).
David Bowie’s typically enigmatic decision not to do any interviews about his latest album, The Next Day, meant people were left to put their own interpretations on the album’s unusual lyrics and surreal imagery.
Author Ricky Moody—who writes for the literary magazine The Rumpus—recently asked Bowie to explain his thinking behind the new songs. “I wanted to understand the lexicon of The Next Day,” said Moody, “and so I simply asked if he would provide a list of words about his album, assuming, like everyone else waving madly trying to get his attention, that there was not a chance in hell that I would get the list.”
To Moody’s surprise, Bowie responded by sending him a list of 42 words which supposedly provided the framework for the critically-acclaimed album. Here they are:
Effigies
Indulgences
Anarchist
Violence
Chthonicum
Intimidation
Vampyric
Pantheon
Succubus
Hostage
Transference
Identity
Mauer
Interface
Flitting
Isolation
Revenge
Osmosis
Crusade
Tyrant
Domination
Indifference
Miasma
Pressgang
Displaced
Flight
Resettlement
Funereal
Glide
Trace
Balkan
Burial
Reverse
Manipulate
Origin
Text
Traitor
Urban
Comeuppance
Tragic
Nerve
Mystification
Still confused?
Maybe the answer can be found in a 2008 interview with Bowie. In it he described how he often comes up with interesting lyric lines by employing the ‘cut-up’ writing technique used by postmodernist author William S. Burroughs in his controversial novel Naked Lunch.
‘Cut-up’ is a literary technique designed to add an element of chance to the creative process.
It involves taking a finished line of text and cutting it into pieces—usually with just one or two words on each piece. The resulting pieces are then rearranged to create a brand new text.
The cut-up concept can be traced back to the Dadaists of the 1920s, but it was developed further in the early 1950s by painter, writer and sound poet Brion Gysin—and then popularized in the late 1950s and early 1960s by Burroughs.
David Bowie explained: “You write down a paragraph or two describing several different subjects, creating a kind of ‘story ingredients’ list, I suppose, and then cut the sentences into four or five-word sections; mix ’em up and reconnect them.
“You can get some pretty interesting idea combinations like this,” he said. “You can use them as is or, if you have a craven need to not lose control, bounce off these ideas and write whole new sections.”
This technique is also said to have influenced Kurt Cobain’s songwriting. And Thom Yorke applied a similar method on Radiohead’s 2000 album Kid A. Yorke reportedly wrote single lines, put them into a hat, and drew them out at random while the band rehearsed the songs.
Here’s Bowie explaining his cut-up technique in the 1975 BBC TV documentary Cracked Actor …
So there you have it … If you want to get all Bowie-esque and create some unusual and intriguing lyrics, simply reach for your lyric notebook and a pair of scissors – and start cutting and pasting!
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“How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and KoboBooks.
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“SURPRISING RHYMING” – The Alternative Rhyming Dictionary for Songwriters and Poets – is available from Amazon as a US paperback, a UK paperback, and across Europe. It is also available as an eBook from Amazon’s Kindle store in the United States, the UK and Europe, as well as Apple’s iTunes Store, Barnes & Noble’s Nook Store and Rakuten’s KoboBooks.
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Last week, Neil Diamond became an inspirational figure in the city of Boston’s recovery from the Boston Marathon bombings by leading the Red Sox’s Fenway Park crowd in a rousing and highly emotional sing-along rendition of ‘Sweet Caroline’.
His 1969 song has been an eighth-inning ritual at every Fenway Park game since 2002. New Yorker Diamond took to the field after reportedly flying to Boston specially to pay tribute to the city during the Red Sox’s first home game after the bombings.
After his unannounced Boston appearance, he said: “What resonates for me is the way music can offer comfort to people in times of joy or sorrow. With a tragedy like this, there are no words, but if people can find healing in music, this is the reason I’ve been doing this for the last 50 years. It goes beyond what I ever imagined.”
Now, Neil Diamond has revealed that he is writing a new song inspired by the Boston Marathon bombing and other recent tragic events in the United States, such as the shootings in Aurora, Colorado and Newtown, Connecticut.
“I’m writing now and obviously affected by this situation in Boston,” he told Rolling Stone magazine. “So I’m writing about it just to express myself … I’m writing about what we’re going through with all of these tragedies.”
The 72-year-old songwriting legend says he plans to fast-track a recording of the as-yet-untitled new song.
Watch Neil Diamond performing ‘Sweet Caroline’ at Fenway Park HERE…
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is now available from Amazon’s Kindle Store for only US$7.22 or GB£4.78.
Read a FREE sample of the book HERE (USA) and HERE (UK).
Also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music).
Music publishers and A&R executives often talk about how important it is for new singer-songwriters to create their own unique style. But what they really mean is they simply want you to sound original.
In reality, your songs should not be completely different from anything music industry execs have ever heard before. Ideally, they want something that develops what is already out there – not a sudden leap that will leave a huge gap between you and the audience.
For your songs to be commercial and marketable so that they will sell (which, at the end of the day, is all that record companies and publishers are really interested in), your ‘unique’ songs still require a hint of familiarity so that people will be able to relate to them.
In other words, listen to what is currently being played across lots of different music genres – then carve your own niche by adding something new of your own.
One of the finest current examples of this approach is British singer-songwriter Laura Mvula.
One magazine has described her as a “musical magpie”; another reviewer referred to her musical style as “Nina Simone sings the Beach Boys”; while another even coined a brand new genre – “gospeldelia” – to encapsulate her soulful vocals and vivid soundscapes.
With a degree in composition from Birmingham Conservatoire in Birmingham, England, Laura Mvula has created her own distinctive sound by taking inspiration from many different genres – including choral baroque music, George Gershwin, Björk, the gospel-soul of Jill Scott, Erykah Badu and Lauryn Hill, and the pop of Amy Winehouse.
She has created something fresh by taking elementary melodies from each of these genres and turning them into complex five-part harmonies and emotional vocals.
“I’ve always enjoyed bringing really simple elements together to make something that’s bigger or more interesting,” said 26-year-old Laura in a recent interview. “I’m just into things that circle round and round. It’s how my brain works.
“I drew on the soul icons I loved when growing up – Jill Scott, Erykah Badu, Lauryn Hill. But I’m not a wordsmith, so I tried to be expressive with my unashamed first love, harmony.”
Listen to ‘Green Garden’ from Laura Mvula’s Top 10 album Sing to the Moon HERE…
And you can hear her latest single ‘That’s Alright’ HERE…
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a paperback, or as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK) or HERE (Australia).
Many producers of artists who don’t write their own songs are finding that the best way to consistently generate hits is to use the American TV ‘writers room’ model – with large numbers of pop writers working in teams.
But what is the optimum number of writers required to create a hit song?
English boy band phenomenon One Direction had an average of five songwriters per track on their hit 2012 album Take Me Home. Now, Britney Spears is going two better with her new track, titled ‘Ooh La La’, which will be featured in the upcoming Smurfs movie, The Smurfs 2.
According to The Hollywood Reporter, ‘Ooh La La’ is the result of a seven-way collaboration between Lukasz Gottwald, Joshua Coleman, Henry Walter, Bonnie McKee, Jacob Kasher Hindlin, Lola Blanc and Fransisca Hall.
You can watch Britney’s official video for ‘Ooh La La’ HERE…
The song will play over the end credits of The Smurfs 2 when it is released in cinemas this summer.
The film’s director Raja Gosnell said: “I am very excited that Britney is joining our smurfy adventure. ‘Ooh La La’ is the perfect Smurf-party song, and the perfect button on the film for audiences around the world.”
Britney added: “I always loved The Smurfs as a kid and now my boys are the biggest Smurfs fans ever. I wanted to surprise them with a song in the movie. I know they’ll think it’s Smurftastic!”
The royalty split agreement between all of the writers and music publishers involved in ‘Ooh La La’ should also make Smurftastic reading!
Also busy collaborating right now is Katy Perry who is co-writing tracks for her third album with hitmakers such as Max Martin, Dr. Luke, Greg Wells, Sia and Bonnie McKee. The album will be the follow-up to Teenage Dream which spawned five Hot 100 Number One singles.
“Max and Luke push me the most,” said Katy, giving an insight into how she works with her co-writers. “As a team we have certain strengths. With Max, it’s melody choices, Luke is production and I’m topline and melody.”
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a paperback, or as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK) or HERE (Australia).
For a song to become a great song, it must be able to reach out and touch listeners and stimulate an emotional response within them. It should take them on a memorable and emotional journey. It should make them feel something.
That’s why Amy Grant, the Nashville-based Christian singer-songwriter, believes the greatest compliment a songwriter can receive is to have someone tell you that your song captures exactly what they’re feeling inside.
“The challenge of a songwriter is to articulate – in an accessible way – things we go through, if what you are trying to do is to make people feel connected to their own life, ” says Amy. “I’m inspired by specific situations and try to capture in a song what people feel.”
On May 14, the six-times Grammy award winner will release her first full album of all-new songs in 10 years.
Titled How Mercy Looks From Here, the new album was produced by Marshall Altman and includes guest vocalists James Taylor, Carole King, Sheryl Crow, Will Hoge, and Eric Pasley (who wrote the only song on the album not written by Grant). Amy’s husband, Vince Gill, also makes an appearance.
Watch the official video for Amy Grant’s 1991 hit ‘Good For Me’ HERE…
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music) and Barnes & Noble’s Nook store.
Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).
Most songwriters would agree that keeping your songwriter’s antenna switched on to the world around you at all times is the best way to come up with great song ideas.
Being observant and keeping your mind constantly open for new ideas through your experiences, thoughts, feelings and observations can lead to some interesting songs.
But flicking through stacks of old thrift shop photographs does it for New York singer-songwriter Elisa Flynn (pictured above; photo by Elizabeth Graham). She finds that random second-hand photos of strangers can inspire lots of innovative ideas.
“I once picked up an evocative and weird picture of a woman in the woods balancing a tuft of moss on her wild, orange hair,” Elisa told Courier Life’s Brooklyn Daily. “It inspired me to write a song about the woman being lost in the woods and how she wants to stay there.”
Try looking at old photos of people you don’t know, and ask yourself Who? What? Where? When? How? and Why?-type questions about each photo. The answers to these questions may generate words, phrases and lyrical themes that could stimulate some interesting song ideas!
Of course, a good title or a lyric line can also come from overhearing a conversation on a train or in a café … or an event that you witness … or while you’re waiting at a traffic light. Similarly, a headline in a newspaper, on a website, or a billboard might spark a great idea for a song.
What is the strangest source of inspiration you’ve ever found for one of your songs?
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‘How (Not) To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success’ is now available from Amazon’s Kindle Store for only US$7.22 or GB£4.78.
Read a sample of the book HERE (USA) and HERE (UK and Europe).
Also available from Apple’s iTunes Store (Books/Arts & Entertainment/Music).
SONGWRITING: THE HIT FORMULA 