Hit songwriter Max Martin has renewed his agreement with ASCAP, the American Society of Composers, Authors and Publishers, for representation of public performances of his songwriting catalogue.
This follows the announcement last week that Paul McCartney has also renewed his agreement with ASCAP. The organization has represented McCartney’s performing rights in the United States for multiple decades.
With 22 Billboard Hot 100 Number One hits, Max Martin is one of the most successful songwriters of all time. He has won an unprecedented nine ASCAP Songwriter of the Year Awards. Since his first US top 10 single in 1997, Robyn’s “Do You Know (What It Takes),” listeners can’t get enough of Martin’s addictive pop songs, including #1 hits like Katy Perry’s “I Kissed a Girl” (2008), Pink’s “So What” (2008), Britney Spears’s “Hold It Against Me” (2011), Maroon 5’s “One More Night” (2012), Taylor Swift’s “We Are Never Ever Getting Back Together” (2012), “Shake It Off” (2014), “Blank Space” (2014) and “Bad Blood” (2015) and this year, Justin Timberlake’s “Can’t Stop the Feeling!”
“I love being part of the ASCAP family of songwriters and composers,” said Max Martin. “As songwriters, we are lucky to have ASCAP on our side, offering support and fighting for our rights.”
“Max Martin is a generous spirit whose irresistible music keeps winning listeners’ hearts,” said Elizabeth Matthews, CEO of ASCAP, a world leader in performing rights and advocacy for music creators. “We love his music and we admire his broader sense of mission and advocacy for songwriters everywhere.”
“Max is a rare talent with an aim that never misses,” said ASCAP EVP Membership John Titta. “He’s one of the few who can tap into the zeitgeist to create hit after hit after hit. We’re privileged to be part of his incredible success.”
ASCAP is a professional membership organization of songwriters, composers and music publishers of every kind of music. According to ASCAP, its mission is to license and promote the music of its members and foreign affiliates, obtain fair compensation for the public performance of their works, and to distribute the royalties that it collects based upon those performances.
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