“It’s no use just singing about being famous, or rhyming ‘crazy’ with ‘baby’ a million times over,” Lily Allen recently told Q magazine. “I want to write about things that are relevant to other people. And I like to be frank whether it’s about sex or politics or feminism.”
Lily’s comments are especially pertinent to new songwriters. A common mistake among many aspiring writers is their use of over-elaborate imagery and ‘poetic’ lyrics in an attempt to show how clever and creative they can be. Far from being impressed, though, music publishers and A&R reps may view too much flowery language as a sign of inexperience.
Trying too hard to be ‘different’ and artistic can often result in lyrics that simply sound pretentious and self-indulgent. If your lyrics don’t come across as genuine, listeners may find it hard to connect with your song.
Lily Allen frequently achieves a personal connection by writing as if she’s having a one-on-one conversation with the listener, often making lines sound like they could be spoken naturally.
If a new song is likely to have any chance of success, it must be able to touch listeners on an emotional level and make them feel something.
That means a song needs to be about something that everyone is familiar with. And the lyrics should be honest, believable and heartfelt so that people can easily relate to them.
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“How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.
Read a FREE sample of the book HERE (USA) and HERE (UK),
James Thomson
…no though. Just no. If you’re deliberately changing your creative process and making artistic decisions you otherwise wouldn’t just because you want mass appeal and a giant royalty cheque, you’re not really doing it for the love of the music any more. Music’s personal. Always has been. Share a part of yourself with the world, and if it connects with them, you got lucky. But you’re giving lyrics too much credit; most people aren’t even about lyrics anyway, I mean look at the enormous success of deathcore among teen markets (a genre where the lyrics are nigh-unintelligible). And look at the number of enormous hit songs which when you analyse the lyrics actually mean almost nothing.