From Paul Weller’s emergence as a songwriting force with the power punk of The Jam in the 1970s to the soul sounds of The Style Council in the 1980s—followed by many diverse solo albums since—he has continually evolved his approach to songwriting. Weller warns that writers who don’t seek new challenges risk simply repeating themselves and could start to bore their listeners as a result.
“No matter what age you are, there’s always something else to learn,” he told Another Man magazine in a recent interview. “I just want to keep finding new things—new ground. You have to keep moving forward.”
Weller believes it’s essential for songwriters to set themselves a goal with each new song. “I might have an idea, however vague it is at the time, of where I want to try and take the music,” he told Another Man. “Sometimes you get there, sometimes you don’t – and sometimes you end up with something that isn’t what you set out to do, but is something else again, and something that surprises you because you didn’t realise you could go there.”
He added: “It’s a question of setting yourself a certain amount of challenges. Otherwise it’s too easy to get caught in a cycle of doing the same things over and over again.”
When new writers achieve an important breakthrough and discover a songwriting ‘formula’ that really works for them, they are naturally tempted to stick to it on every song. The innovation could be the result of a particular chord progression—or the use of a specific climactic chord change or a musical phrase—and it helps them create a new kind of song that evokes the best response they’ve ever had from listeners.
While they may want to take advantage of this winning ‘formula’ to help them establish their own distinctive sound and style, they should be careful not to end up writing songs that are all built around the same few notes, chords and keys. Each new song may sound great on its own, but there’s a danger that a writer could end up with a collection of songs that all sound alike—especially if he or she puts them together on the same demo submission, or on a showcase album, or on their own website and YouTube channel.
Paul Weller believes that being open to collaboration with other people is one way of constantly exploring new things and “expanding your own world”. For example, on his latest solo album, True Meanings (his 14th studio album), Weller has teamed up with other talent such as Lucy Rose, Conor O’Brien from Villagers, and Erland Cooper.
It has resulted in yet another new ‘sound’ for Paul Weller, as this beautiful track, ‘Gravity,’ demonstrates …
“SURPRISING RHYMING” – The Alternative Rhyming Dictionary for Songwriters and Poets – is available from Amazon as a US paperback, a UK paperback, and across Europe. It is also available as an eBook from Amazon’s Kindle store in the United States, the UK and Europe, as well as Apple’s iTunes Book Store, Barnes & Noble’s Nook Store and Rakuten’s KoboBooks.
A 5-star rated book at Amazon, “How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, a UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Book Store, Barnes & Noble’s Nook store, and Rakuten’s KoboBooks.
“How [Not] To Write Great Lyrics! – 40 Common Mistakes To Avoid When Writing Lyrics For Your Songs” is available from Amazon and Barnes & Noble as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store. It is also available from Apple’s iTunes Book Store, Barnes & Noble’s Nook store, and Rakuten’s KoboBooks.
“HOW [NOT] TO WRITE SONGS IN THE STREAMING AGE – 40 MISTAKES TO AVOID IF YOU WANT TO GET MORE STREAMS” - This book shows how the dominance of music streaming is having a profound impact on songwriting and the structure of songs. Songs that connect in the streaming world are no longer the same as songs that work on traditional media, like radio. Successful streaming now requires a different type of song. This means songwriters who want more plays on streaming platforms need to rethink their songwriting approach in order to meet the specific needs of streaming audiences. This book aims to provide a better understanding of the new building blocks of song structure in the streaming age. It examines essential elements found in the construction, melodies and lyrics of the biggest streaming hits – and highlights the most common errors made when these key components are built into a song. To help new songwriters avoid such mistakes in their own songs, the book provides 40 insightful tips and a comprehensive Checklist for creating more streaming-friendly songs. The book is now available from Amazon as a paperback and eBook, and also from leading eBook retailers like Apple Books, Kobo and Barnes & Noble.
‘HOW (NOT) TO WRITE A HIT SONG! – 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS’
With a 5-star rating at Amazon, this book takes a close look at the essential elements that are consistently found in the structure, melodies and lyrics of all hit songs.
It highlights the most common errors that are made when these key components are built into a song, so that new writers can try to avoid such mistakes in their own songs.
Most writers have had to endure the disappointment of having their songs rejected, and ended up asking: “Could I have done more to make my songs better?”.
“How [Not] To Write A Hit Song!” aims to help writers recognize weaknesses in their songs, so they can re-work them, make them stronger, and hopefully achieve the breakthrough they’re striving for.
The book includes a detailed checklist of 101 common mistakes that writers can measure their own songs against.
“HOW (NOT) TO WRITE GREAT LYRICS! 40 COMMON MISTAKES TO AVOID WHEN WRITING LYRICS FOR YOUR SONGS”
The 40 most common lyric writing mistakes are exposed in this new book by experienced music publisher and music consultant Brian Oliver.
Written in an easy, non-technical style, the book identifies the most frequent causes of lyric writing problems and aims to help aspiring songwriters steer clear of the many traps that they can easily fall into when writing lyrics for their songs.
“How [Not] To Write Great Lyrics!” gives new writers a wide range of valuable advice – from how to prevent common errors in the basic construction of their song lyrics … through to the perils of making bad choices when it comes to titles, opening lines, lyrical hooks, verb selection, clichés, rhyming patterns, and many other issues.
The book includes a comprehensive checklist of more than 100 potential hazards that writers can measure their own lyrics against.
“SURPRISING RHYMING FOR SONGWRITERS AND POETS -THE ALTERNATIVE RHYMING DICTIONARY”
With more new songs being written than ever before, songwriters are finding it harder to sound original and craft rhymes that have not already been used. “SURPRISING RHYMING” is a new kind of rhyming dictionary that aims to make it easier for writers to avoid clichés and create rhymes people may not have heard before.
Based on an in-depth study of the ingenious rhymes used by some of the world’s greatest songwriters and lyricists, this book offers an astonishing array of thousands of alternative rhyme options. It contains rhyme types much broader than those found in traditional rhyming dictionaries which tend to stick to ‘perfect’ rhymes. Instead, it focuses on ‘imperfect’ rhymes that are less predictable than ‘pure’ rhymes—and are therefore more likely to surprise an audience. The book also includes many new words that have been added to standard dictionaries in recent years.
With 624 pages, the book is laid out clearly to make it quick and easy to find the perfect word to achieve a memorable rhyme. There are separate sections for one-, two- and three-syllable rhymes, along with many useful tips on rhyming.
“SURPRISING RHYMING” is available from Amazon as a paperback and an eBook. It’s also available as an eBook from Apple’s iTunes Store, Barnes & Noble and Rakuten’s KoboBooks.