SONGWRITING TIPS AND ADVICE ON THE ESSENTIAL INGREDIENTS FOUND IN ALL HIT SONGS

Category Archives: Songwriting News

DRAKEAccording to Spotify’s latest annual music rankings, Drake was the world’s most streamed artist in 2015. He has racked up 1.8 million streams this year on the platform and reached 56 million listeners.

Meanwhile, Ed Sheeran was named the most streamed artist of the year in the UK on Spotify as well as being the most streamed artist of all time on the service. He has more than three billion streams to date.

The most streamed female of 2015 was Rihanna with over 1 billion streams and 57 million listeners.

Justin Bieber set the record for the most streams in a single day with 36 million streams on November 13.

Here’s the full list of Spotify’s 2015 rankings:

Global Results

Top Five Global Artists (also Top Five Global Male Artists)

  1. Drake
  2.  Ed Sheeran
  3. The Weeknd
  4. Maroon 5
  5. Kanye West

Top Five Global Female Artists

  1. Rihanna
  2. Ariana Grande
  3. Nicki Minaj
  4. Beyoncé
  5. Ellie Goulding

Top Five Global Tracks

  1. Lean On (feat. MØ & DJ Snake) – Major Lazer
  2. Cheerleader – Felix Jaehn Remix Radio Edit – OMI
  3. Uptown Funk – Mark Ronson
  4. See You Again (feat. Charlie Puth) – Wiz Khalifa
  5. Love Me Like You Do – From “Fifty Shades Of Grey” – Ellie Goulding

Top Five Global Albums

  1. Beauty Behind The Madness – The Weeknd
  2. If You’re Reading This It’s Too Late – Drake
  3. Peace Is The Mission – Major Lazer
  4. Stories – Avicii
  5. Title – Meghan Trainor

Top Five Global Viral Tracks

  1. Sugar (feat. Francesco Yates) – Robin Schulz
  2. Hotline Bling – Drake
  3. Ain’t Nobody (Loves Me Better) – Felix Jaehn
  4. Can’t Feel My Face – The Weeknd
  5. Here – Alessia Cara

Top Five Global Playlists

  1. Today’s Top Hits
  2. Afternoon Acoustic
  3. Baila Reggaeton
  4. Hot Country
  5. RapCaviar

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.

 

How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA) and HERE (UK), HERE (Australia) and HERE (Canada).


ADELEAdele has unveiled a brand new song—titled ‘When We Were Young’—which was co-written with Canadian singer-songwriter Tobias Jesso Jr. The song is taken from Adele’s new album, 25, which is available from November 20.

Jesso’s music has been compared to singer-songwriters of the 1960s and 1970s such as Randy Newman, Harry Nilsson and Emitt Rhodes.

Commenting on teaming up with the 30-year-old Canadian, Adele said: “I loved Tobias Jesso Jr’s song ‘Hollywood’ and I reached out to him when I was working on 25. I say I reached out… I got my manager to contact his manager. I’m pretty behind on social networking culture, I’d have no idea how to do it. Also I didn’t want to ask and have him say, “Absolutely not, I think you’re shit.” At least if my manager asks, he can absorb the rejection and just never tell me. Anyway, he was well up for it.”

And here’s the stunning result of their collaboration…

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.

How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA) and HERE (UK), HERE (Australia) and HERE (Canada).

 


Ozzy OsbourneA new study by Help Musicians UK shows that musicians are four times more likely than the general population to suffer hearing damage, and they have a significantly greater risk of developing tinnitus.

But few musicians are doing anything to lower the risk, the study found.

This is despite the fact that several major stars—including Ozzy Osbourne, Pete Townshend, Neil Young and Phil Collins—have publicly discussed their hearing loss and tinnitus in the past.

Now, Help Musicians UK—the leading UK charity for professional musicians of all genres—is setting out to educate musicians about the importance of looking after their ears. This follows recent research conducted by the organisation which found that 41% of musicians tend to experience hearing problems during their career, with the vast majority of them blaming their profession.

Nearly 700 professional musicians of all genres and types, singers and instrumentalists took part in the Help Musicians UK study. Just over 40% said they had experienced hearing loss and 20% said they did not know if they had been affected—meaning that less than half were confident their hearing was okay.

Some 78% of the musicians who reported a problem said they believed their career was a major factor in their hearing loss. 57% had suffered tinnitus, 21% hyperacusis (excessive sensitivity to sound) and 4% diplacusis (confusion in hearing pitch).

Despite the increased risk, 68% of the musicians surveyed said they hadn’t had a hearing test within the previous three years. And while 89% believed they should be using hearing protection, only 66% actually used it … and only 8% used it every time they played.

Nigel Hamilton, Help & Advice Manager at Help Musicians UK, said: “We know that hearing is one of the most important tools a musician has and when we started looking into musicians’ hearing more closely we realised how fragile it can be. Noise-induced hearing loss is completely preventable but also completely irreversible. Once it’s gone, it’s lost forever. As the leading charity for musicians, we felt we had to do something”.

As part of the #HearForMusicians campaign, Help Musicians UK is offering advice on hearing protection via its website, as well as providing financial support for hearing tests, hearing protection and hearing aids. Find out more HERE …

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.

How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA) and  HERE (UK),  HERE (Australia)  and HERE (Canada).


Paul McCartney and Michael Jackson - 'Say, Say Say' remixTo pave the way for a remixed, deluxe edition of his classic album Pipes of Peace, Paul McCartney has released a new remix of his 1983 hit with Michael Jackson, ‘Say, Say, Say’, which was originally produced by George Martin. The song became Jackson’s seventh Top 10 hit in a year.

In the video below, McCartney talks to Manic Street Preachers’ frontman James Dean Bradfield about what it was like to write songs such as ‘Say, Say, Say’ with Michael Jackson.

McCartney reveals that the song was written quickly, with Jackson and himself face-to-face around a piano in the former Beatle’s London office.

“It came very easily because I was excited to be writing with him and he was excited to write with me,” said McCartney. “We just popped off each other.”

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA) and  HERE (UK),  HERE (Australia)  and HERE (Canada).


Bob DylanSince the 1980s, a debate has been raging about whether an artificially intelligent computer system could ever be truly creative. Could computer algorithms ever be used to write a ‘real’ hit song – even if the machine was programmed and trained just like a human songwriter … and given enough data and fed hundreds of chart hits by its programmers?

An old adage says that a monkey sitting at a typewriter could eventually write the complete works of Shakespeare. By the same token, could a computer ever create a work of art that could match the creativity of Beethoven or Mozart? … Or Bob Dylan?

IBM has cleverly used this debate as the basis of a new US TV commercial for its cognitive system IBM Watson – an artificially intelligent computer capable of answering people’s questions posed in natural language.

In the TV ad, IBM’s ‘Watson’ is seen discussing songwriting with Bob Dylan …

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MORE SONGWRITING TIPS


Photo: Eva Rinaldi

Photo: Eva Rinaldi

“I’ve only ever written songs from the heart. I don’t really see the point in making music if it’s not an expression of self or a form of therapy.

“I could go three months without writing a single song and in one week I’ll write twenty. But I never want to write a song just to have a hit. I write a song because I want it to make me feel better. Other people have different ways of letting off steam. Mine is writing songs.

“It’s like when you’re angry with someone and you write an email or a letter to that person, and you write everything down … but you don’t give it to them. Songwriting is my way of getting out anger, aggression, happiness and love. It’s just about getting it out – and making you feel better.

“So it’s never been about the audience or pleasing people, or trying to fit in. It’s just been about myself and my love for music.”

—Ed Sheeran (in an interview with Charlie Rose of PBS)

MORE SONGWRITING TIPS

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.

How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, a UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA) and  HERE (UK)


GARTH BROOKSCountry superstar Garth Brooks recently learned the hard way that if you’re going to record and store song ideas on your phone you have to make sure you always keep the phone backed up … otherwise you run the risk of losing everything.

And that’s exactly what just happened to Garth Brooks. He lost six months’ worth of new music ideas for his next album when the personal cell phone on which he’d recorded them decided to stop working.

“All the new stuff I’ve been working on for six months was on a phone that’s been fried, and I can’t get the phone to come back up,” said Brooks. “It’s like losing your briefcase back in the Nineties! This is what happens when the old guy gets into technology …”

Brooks says he’s now counting on an IT tech specialist being able to somehow extract the memory from the dead phone and rescue his ideas for what would become his tenth album. Brooks fears the fried cell phone may have set back production on the new album which is intended to be the follow-up to 2014’s Man Against Machine.

The country legend’s experience is similar to that of Metallica’s longtime lead guitarist Kirk Hammett. He recently lost his iPhone which contained more than 250 unused Metallica song ideas and riffs for the band’s next album. “I was crushed. It didn’t get backed up,” said Hammett. “When it happened, I was bummed out for about two or three days. I’m still looking for it to this day …”

Hammett added: “All you musicians out there who use your phone, make sure it’s backed up, right?”

In 2013, British singer-songwriter Ed Sheeran lost a phone which contained the only recording of his new, unreleased album (later released under the title x). Fortunately for Ed, the missing phone was eventually found in the back seat of a limo that had transported him to an awards ceremony in London.

So new songwriters beware!

If that potential hit song you’ve just written has been entrusted to digital media, make sure it is backed up. And if it’s the only copy of what could be your breakthrough song, play extra safe … and back it up more than once!

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).


A portion of music manuscript for Happy Birthday's predecessor, 'Good Morning to All' (courtesy of University of Louisville).

A portion of music manuscript for Happy Birthday’s predecessor, ‘Good Morning to All’ (courtesy of University of Louisville).

‘Happy Birthday To You’ is a staple of birthday parties around the world, but, until now, it couldn’t be sung in public or in TV shows and movies without paying a sizeable licence fee.

Now, though, a US federal judge has ruled that music publisher Warner/Chappell does not hold a valid copyright to the song.

Warner/Chappell has been collecting royalties on the song since acquiring the copyright in 1988 for some $25m (£16m). The publisher has reportedly been making around $2m a year from royalty payments whenever the song is used in a film, TV show, advertisement or any other kind of public performance. According to the Internet Movie Database, ‘Happy Birthday To You’ has been featured in nearly 150 films.

Judge George King has ruled that the original copyright (filed in 1935) was only granted for specific piano arrangements based on the original melody, and did not grant any rights to the lyrics.

The tune was composed in 1893 by two Kentucky sisters, Mildred and Patty Hill. They called their version ‘Good Morning To All’ which later evolved into the ‘Happy Birthday’ version which is now popular all over the world.

The case against Warner/Chappell was launched in 2013 by Rupa Marya and Robert Siegel, who are making a film about the history of the song. The music publisher wanted to charge $1,500 (£970) for the right to use the song in the film, but Marya and Siegel maintained that the song was in the public domain and should not be subject to copyright fees.

The ruling now puts the song in the public domain fifteen years before the copyright was due to expire in the US in 2030.

So here it is … royalty-free! And if it’s YOUR birthday today, happy birthday from all of us at The Hit Formula  …

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.

How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA),  HERE (UK),  HERE (Australia)  and HERE (Canada).


METALLICA PROMO PHOTO-1200x120011Metallica’s longtime lead guitarist Kirk Hammett has warned songwriters who record and store song ideas on their phone to make sure they always keep the phone backed up.

Hammett speaks from bitter first-hand experience. He recently lost his phone which contained over 250 unused Metallica song ideas and riffs. Metallica are, of course, famous for their heavy riff-orientated sound.

“I lost my iPhone with 250 musical ideas,” Hammett told the podcast The Jasta Show. “I was crushed. It didn’t get backed up. When it happened, I was bummed out for about two or three days. I’m still looking for it to this day …”

Hammett added: “All you musicians out there who use your phone, make sure it’s backed up, right?”

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA),  HERE (UK),  HERE (Australia)  and HERE (Canada).


Legendary songwriters Bobby Braddock, Willie Dixon, Robert Hunter & Jerry Garcia, Toby Keith, Cyndi Lauper and Linda Perry will become the latest inductees of the Songwriters Hall of Fame at the organization’s 46th Annual Induction and Awards event in New York City on June 18, 2015.

Willie Dixon and Jerry Garcia will be inducted posthumously.

The 2015 inductees have been responsible for classic songs such as ‘He Stopped Loving Her Today’, ‘Hoochie Coochie Man’,’ Little Red Rooster, ‘D.I.V.O.R.C.E’, ‘Dark Star’, ‘Should’ve Been A Cowboy’, ‘Time After Time’ and ‘Beautiful’.

“Our 2015 line-up of inductees represents the rich diversity of American musical styles – Rock, Country, Blues and Pop – that have captivated the world over the past six decades,” said Songwriters Hall of Fame President & CEO Linda Moran. “Each one of these brilliant music creators have written instantly recognizable classics, songs that are both of their time and timeless.”

Established in 1969, the Songwriters Hall of Fame (SHOF) is intended to be a bridge between music’s past and future.  In the Hall, musical pioneers are enshrined and celebrated, while the organization’s outreach to the music community grooms the next generation of songwriters.

Image via Songwriters Hall of Fame

Image via Songwriters Hall of Fame

Bobby Braddock:

Bobby Braddock is one of the most successful country music songwriters of all time.  He grew up in Florida, travelled the South as a rock and roll musician, and became a songwriter in Nashville in the mid-1960s.  He is the only living person to have written number one country hits in five consecutive decades, penning songs for artists such as Willie Nelson, Nancy Sinatra, Jerry Lee Lewis, T. G. Sheppard and many more.

With 13 number one hits, his songs have become country music standards, including favourites such as, ‘D.I.V.O.R.C.E,’ recorded by Tammy Wynette, ‘Golden Ring,’ the duet sung by George Jones and Tammy Wynette, Tracy Lawrence’s, ‘Time Marches On,’ and Toby Keith’s 2001 hit, ‘I Wanna Talk About Me’ (the first #1 country rap song). ‘He Stopped Loving Her Today,’ sung by George Jones, has led most surveys as the best country song of all time. In 2001, he embarked on a new career as a producer, discovering singer Blake Shelton and making several number one records with him.

Braddock’s most recent number one composition was Billy Currington’s, ‘People Are Crazy.’ In 2011, he was inducted into the Country Music Hall of Fame and received the annual BMI Icon Award, and in 2012, received the ACM Poet’s Award.  He has received six CMA Song of the Year nominations, winning twice. He has received a total of 30 BMI airplay awards, and nine ‘Million Air’ awards for songs that received at least one million performances each.

Willie Dixon:

Willie Dixon, one of the most prolific songwriters of all time, has been referred to as ‘the poet laureate of the blues’ and the ‘father of modern Chicago blues.’ His songs have been recorded by countless artists across varying genres. ‘Hoochie Coochie Man,’ first recorded by Muddy Waters and later by Jimi Hendrix, Chuck Berry and Jimmy Smith, went on to be recognized by The Blues Foundation and the Grammy Hall of Fame for its influence in pop music and in 2004, was selected for preservation by the U.S. Library of Congress National Recording Registry.

Also first recorded by Muddy Waters was ‘I Just Want to Make Love to You,’ later covered by a wide array of artists including Etta James, Adele, Van Morrison, and The Kinks, among others. One of his best-known compositions was ‘Little Red Rooster,’ which was recorded by the Rolling Stones, Sam Cooke, the Grateful Dead, The Doors and Tom Petty and the Heartbreakers, and was included in the Rock and Roll Hall of Fame’s list of the 500 Songs That Shaped Rock & Roll. His other notable songs include ‘My Babe,’ ‘Spoonful’ and ‘You Can’t Judge a Book by the Cover.’ He was inducted into The Blues Hall of Fame in 1980 and posthumously inducted into the Rock and Roll Hall of Fame in the ‘early influences’ (pre-rock) category in 1994.

Jerry Garcia & Robert Hunter:

Songwriting partners Robert Hunter and Jerry Garcia first paired together as performers in a folk duo in the early 1960s.  When Jerry formed the Grateful Dead in the mid-1960s, he looked to Robert for lyrics. Robert became an official lyricist for the band, and when they were inducted into the Rock and Roll Hall of Fame in 1994, Robert was inducted as a band member, the only non-performer ever honoured.

Jerry wrote the music while Robert penned lyrics for songs such as, ‘Casey Jones’, ‘China Cat Sunflower,’ ‘St. Stephen’ and ‘Truckin,’’ which was recognized by the United States Library of Congress in 1997 as a national treasure.  With more than 35 million albums sold worldwide, other notable tracks include: ‘Dark Star’ (listed as one of The Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll, and ranked at #57 on Rolling Stone’s 100 Greatest Guitar Songs of All Time), the 1987 single ‘Touch Of Grey’, and ‘Friend Of The Devil’ from the 1970 album American Beauty, which has been covered by Bob Dylan, Tom Petty, The Counting Crows, Elvis Costello, Lyle Lovett and John Mayer.  In 2007, the Grateful Dead received a Grammy Lifetime Achievement Award.

Toby Keith:

Toby Keith has been one of the most consistent songwriters and hit makers of his era.  He has written a number one song for 20 consecutive years – from his first number one smash, ‘Should’ve Been A Cowboy’ to ‘How Do You Like Me Now?’, ‘Who’s Your Daddy’, ‘Courtesy of the Red, White and Blue (The Angry American)’, ‘Beer For My Horses’, and ‘I Love This Bar’. He has been honoured with the Nashville Songwriters Association International’s Songwriter/Artist of the Decade distinction and is a three-time BMI Country Songwriter/Artist of the Year.  His albums have sold more than 40 million copies, and his tours have drawn more than one million fans each year for the last 14 years.

Cyndi Lauper:

Cyndi Lauper first found acclaim in 1983, co-writing a pair of memorable singles—’Time After Time’ and ‘She Bop’—for her seminal debut, She’s So Unusual.  Spring-boarding off this success, she co-wrote most of her follow-up album, True Colours, including the hit ‘Change of Heart’. As her craft evolved, so did her nuance for expressing social issues, notably on Hat Full of Stars (‘Sally’s Pigeons’, ‘A Part Hate’, ‘Broken Glass’) and Sisters of Avalon (‘Ballad of Cleo and Joe,’ ‘Say A Prayer’).

Throughout her career Cyndi has penned tracks with an assortment of her peers including Billy Joel, The Hooters, Mary Chapin Carpenter, Jeff Beck, Junior Vasquex, Ryuichi Sakamoto, Nellie McKay and Max Martin.  In 2013, those decades of songwriting culminated in Cyndi’s first foray into Broadway, composing the music for the critically adored Broadway musical Kinky Boots.  The musical won six Tony Awards, including one for her score, which made her the first woman to win solo in that category.  The show has gone on to set a box office record.  Cyndi’s spirited songwriting has earned her more than 50 million in album sales, two Grammys, an Emmy, and a Tony.

Linda Perry:

Growing up, Linda Perry was exposed to a wide-range of musical influences, and began to show interest in creating her own music at a very young age. By age fifteen, she had written her first song, titled ‘Pity Girl’. Perry joined 4 Non Blondes in the early 1990s, and is credited with writing the mega-hit ‘What’s Up’ which catapulted the band to international stardom (selling over seven million records worldwide).

In 2000, Perry began working with Pink on the twice Grammy-nominated album, M!ssundaztood which sold over 13 million copies. Perry wrote and produced eight tracks on the album, including the Grammy-nominated song ‘Get the Party Started’. Perry continued her work with Christina Aguilera, writing and producing several songs including the critically acclaimed pop-ballad ‘Hurt’ and the Grammy Award-winning ‘Beautiful’. Since then, she has written and produced songs with and for artists such as Alicia Keys, Gwen Stefani, James Blunt, The Dixie Chicks, and Celine Dion.

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“HOW [NOT] TO WRITE A HIT SONG! - 101 COMMON MISTAKES TO AVOID IF YOU WANT SONGWRITING SUCCESS” is available from Amazon as a paperback and also as an eBook from Amazon’s Kindle Store, Apple's iTunes Store, Barnes and Noble's Nook store, and from KoboBooks.com.How [Not] To Write A Hit Song! – 101 Common Mistakes To Avoid If You Want Songwriting Success” is available from Amazon as a US paperback, UK paperback and as an eBook from Amazon’s Kindle Store, Apple’s iTunes Store (Books/Arts & Entertainment/Music), Barnes & Noble’s Nook store, and from KoboBooks.

Read a FREE sample of the book HERE (USA), HERE (UK), HERE (Australia) and HERE (Canada).